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Albrecht Durer Two Apostles oil painting


Two Apostles
Painting ID::  33510
Albrecht Durer
Two Apostles
mk86 1526 Oil on wood 215.5x76 Munich,Bayerische Staats-gamaldesammlungen,Alte Pinakothek

   
   
     

Albrecht Durer Two Apostles oil painting


Two Apostles
Painting ID::  33511
Albrecht Durer
Two Apostles
mk86 1526 Oil on wood 214.5x76cm Munich,Bayerische Staats-gamaldesammlungen,Alte Pinakothek

   
   
     

Albrecht Durer The Nativity oil painting


The Nativity
Painting ID::  33512
Albrecht Durer
The Nativity
mk86 c.1502-1504 Tempera on wood 155x126cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

   
   
     

Albrecht Durer The Adoration of the Trinity oil painting


The Adoration of the Trinity
Painting ID::  33514
Albrecht Durer
The Adoration of the Trinity
mk86 1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum

   
   
     

Albrecht Durer Die Vier Apostel oil painting


Die Vier Apostel
Painting ID::  34372
Albrecht Durer
Die Vier Apostel
mk92 1526 206x76cm Munchen,Bayerische Staatsgemaldesammlung

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Jean-Louis-Ernest Meissonier | Maria Vos | Charles Leickert |


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