GO HOME
Visit European Gallery



       Prev  5  6  7  8  9  10  11  12  13  14   Next
 
 
Prev Artist       Next Artist     

Albrecht Durer The Adoration of the Magi oil painting


The Adoration of the Magi
Painting ID::  29924
Albrecht Durer
The Adoration of the Magi
mk67 Oil on panel 39x44 1/16in Uffizi,Gallery

   
   
     

Albrecht Durer Madonna of the Pear oil painting


Madonna of the Pear
Painting ID::  29925
Albrecht Durer
Madonna of the Pear
mk67 Oil on panel 16 15/16x12 3/16in Uffizi,Gallery

   
   
     

Albrecht Durer St.James the Apostle oil painting


St.James the Apostle
Painting ID::  29926
Albrecht Durer
St.James the Apostle
mk67 Tempera on canvas 18 1/8x14 9/16in Uffizi,Gallery

   
   
     

Albrecht Durer St.Philip the Apostle oil painting


St.Philip the Apostle
Painting ID::  29927
Albrecht Durer
St.Philip the Apostle
mk67 Tempera on canvas 17 11/16x15in Uffizi,Gallery

   
   
     

Albrecht Durer Portrait of Oswolt Krel oil painting


Portrait of Oswolt Krel
Painting ID::  30448
Albrecht Durer
Portrait of Oswolt Krel
mk68 Oil on limewood 19 1/2x15 1/4" Munich Alte Pinakothek 1499 Alte Pinakothek

   
   
     

       Prev  5  6  7  8  9  10  11  12  13  14   Next
Prev Artist       Next Artist     

     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Franz Wolf | Hans Multscher | MASTER of Saint Cecilia |


IntoFineArt Co,.Ltd.