|
|
|
|
|
Canoes Painting ID:: 2497
Visit European Gallery
|
Canoes 1888
12.99 x 18.50 ins / 33 x 47 cm
The Thomas Gilcrease Institute of American History and Art, Tulsa, Oklahoma 1888_
12.99_x_18.50_ins_/_33_x_47_cm
The_Thomas_Gilcrease_Institute_of_American_History_and_Art,_Tulsa,_Oklahoma
|
| |
|
|
|
|
|
|
|
|
|
Italian Lake Scene Painting ID:: 2498
Visit European Gallery
|
Italian Lake Scene 14.02 x 19.02 ins / 35.6 x 48.3 cm
Private collection 14.02_x_19.02_ins_/_35.6_x_48.3_cm
Private_collection
|
| |
|
|
|
|
|
|
|
|
|
Bahama Cove Painting ID:: 2499
Visit European Gallery
|
Bahama Cove 13.98 x 18.98 ins / 35.5 x 48.2 cm
Private collection 13.98_x_18.98_ins_/_35.5_x_48.2_cm
Private_collection
|
| |
|
|
|
|
|
|
|
|
|
Wind River Mountains Nebraska Territory Painting ID:: 2500
Visit European Gallery
|
Wind River Mountains Nebraska Territory 1862
Oil on composition board
12.01 x 18.50 ins / 30.5 x 47 cm
Milwaukee Art Museum, Milwaukee 1862_
Oil_on_composition_board
12.01_x_18.50_ins_/_30.5_x_47_cm
Milwaukee_Art_Museum,_Milwaukee
|
| |
|
|
|
|
|
|
|
|
|
View of Donner Lake, California Painting ID:: 2501
Visit European Gallery
|
View of Donner Lake, California 1871-1872
29.25 x 21.89 ins / 74.3 x 55.6 cm
The Fine Arts Museums of San Francisco, California 1871-1872_
29.25_x_21.89_ins_/_74.3_x_55.6_cm
The_Fine_Arts_Museums_of_San_Francisco,_California
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Albert Bierstadt
|
|
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices. |
|
Related Artists::. | Parrish, Clara Weaver | Johann Christoph Rincklake | MEULEN, Adam Frans van der | |
|