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AMBERGER, Christoph Christoph Fugger oil painting


Christoph Fugger
Painting ID::  4732
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Christoph Fugger
1541 Wood, 97 x 80 cm Alte Pinakothek, Munich
1541 Wood,_97_x_80_cm Alte_Pinakothek,_Munich
   
   
     

AMBERGER, Christoph Goldsmith Jorg Zrer of Augsburg oil painting


Goldsmith Jorg Zrer of Augsburg
Painting ID::  4733
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Goldsmith Jorg Zrer of Augsburg
1531 Oil on panel, 78 x 51 cm Museo del Prado, Madrid
1531 Oil_on_panel,_78_x_51_cm Museo_del_Prado,_Madrid
   
   
     

AMBERGER, Christoph Portrait of Felicitas Seiler oil painting


Portrait of Felicitas Seiler
Painting ID::  4734
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Portrait of Felicitas Seiler
1537 Wood, 90 x 80 cm Alte Pinakothek, Munich
1537 Wood,_90_x_80_cm Alte_Pinakothek,_Munich
   
   
     

AMBERGER, Christoph Young Man in Fur oil painting


Young Man in Fur
Painting ID::  4735
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Young Man in Fur
Oil on wood, 50,5 x 42,5 cm The Hermitage, St. Petersburg
Oil_on_wood,_50,5_x_42,5_cm The_Hermitage,_St._Petersburg
   
   
     

AMBERGER, Christoph Portrait of Cornelius Gros oil painting


Portrait of Cornelius Gros
Painting ID::  28831
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Portrait of Cornelius Gros
mk65 Oil on panel 21x16 15/16in
mk65 Oil_on_panel 21x16_15/16in
   
   
     

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     AMBERGER, Christoph
     German Painter, ca.1500-1562 German painter and draughtsman. His family came from the Upper Palatinate. He served his apprenticeship in Augsburg, probably with Leonhard Beck, whose daughter Barbara he married. He became a master on 15 May 1530 but rarely signed his work. He was in northern Italy and Venice c. 1525-7. His full-length pendant portraits of a husband and wife (both 1525; Vienna, Ksthist. Mus.) show Venetian influence, and the portrait of Anton Welser (1527; priv. col., see 1980 exh. cat., p. 98) is in the Italian style. According to Sandrart, during the Imperial Diet of 1530 in Augsburg Amberger painted a portrait of Emperor Charles V to the Emperor's satisfaction, but the surviving work (Berlin, Gem?ldegal.) dates from 1532, based on the age given. In the decades that followed, Amberger was the favourite portrait painter of ambitious merchant families, such as the Fugger, who belonged to guilds but were connected with the nobility by family or marriage ties.

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