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Landscape with Satyr Family Painting ID:: 4697
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Landscape with Satyr Family 1507
Panel, 23 x 20 cm
Staatliche Museen, Berlin 1507
Panel,_23_x_20_cm
Staatliche_Museen,_Berlin
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Landscape with Path Painting ID:: 4698
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Landscape with Path c. 1518
Parchment and wood, 42 x 35,5 cm
National Gallery, London c._1518
Parchment_and_wood,_42_x_35,5_cm
National_Gallery,_London
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Danubian Landscape g Painting ID:: 4699
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Danubian Landscape g 1520-25
Parchment on wood, 30 x 22 cm
Alte Pinakothek, Munich 1520-25
Parchment_on_wood,_30_x_22_cm
Alte_Pinakothek,_Munich
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Susanna in the Bath and the Stoning of the Elders Painting ID:: 4700
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Susanna in the Bath and the Stoning of the Elders 1526
Wood, 74,8 x 61,2 cm
Alte Pinakothek, Munich 1526
Wood,_74,8_x_61,2_cm
Alte_Pinakothek,_Munich
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The Battle of Alexander (detail) vcvv Painting ID:: 4702
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The Battle of Alexander (detail) vcvv 1529
Lime panel
Alte Pinakothek, Munich 1529
Lime_panel
Alte_Pinakothek,_Munich
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ALTDORFER, Albrecht
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German Northern Renaissance Painter, ca.1480-1538
Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art.
He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large. |
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Related Artists::. | Mirza Ali | Pierre Marie Beyle | Thomas Frye | |
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