Oil On Canvas, Real Flavor of Old Masters

All Valentin Aleksandrovich Serov 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
Girl With Peaches, Valentin Aleksandrovich Serov
 Girl With Peaches   mk72 1887
Girl with Peaches (nn02), Valentin Aleksandrovich Serov
 Girl with Peaches (nn02)   1887 Oil on canvas,35 7/8 x 33 1/2'' State Tretiakov Gallery Moscow
later Prince Yusupov, Valentin Aleksandrovich Serov
 later Prince Yusupov   1903. Oil on canvas. The Russian Museum, St. Petersburg, Russia. cyf
Portrait of the Artist Konstantin Korovin, Valentin Aleksandrovich Serov
 Portrait of the Artist Konstantin Korovin   1891(1891) Medium oil on canvas cyf
The Children Shasha and Iura Serov (nn02), Valentin Aleksandrovich Serov
 The Children Shasha and Iura Serov (nn02)   1899 Oil on canvas,28 x 21 1/4'' State Russian Museum,Leningrad
The Rape of Europa (mk19), Valentin Aleksandrovich Serov
 The Rape of Europa (mk19)   1910 Tempera on canvas,138 x 178 cm Serov family collection
The Rape of Europa (mk19), Valentin Aleksandrovich Serov
 The Rape of Europa (mk19)   1910 Painted porcelain 24 cm hight Private collection

Valentin Aleksandrovich Serov
Russian Painter, 1865-1911 Russian painter, graphic artist and stage designer. As a child he lived in St Petersburg, but he made frequent trips abroad. In 1874 he travelled to Paris with his mother and frequented the studio of the Russian Realist painter, Il'ya Repin. In 1875 the art patron Savva Mamontov invited Serov and his mother to settle at ABRAMTSEVO outside Moscow, where he again had the opportunity to study under Repin and to meet other artists in the Mamontov circle. The Symbolist paintings of Mikhail Vrubel' and the late Impressionist landscapes and figure studies of Konstantin Korovin he saw at Abramtsevo had a lasting influence on the young Serov. From 1880 to 1885 he studied at the Academy of Art, St Petersburg, under Pavel Chistyakov (1832-1919). During the 1880s Serov also travelled abroad and became aware of French Impressionism. He began to use bright colours in portraits of figures seen in dappled sunlight and shade, as in his portrait of Vera Mamontov, Girl with Peaches (1887) and a portrait of Mariya Simonovich, Girl in Sunlight (1888; both Moscow, Tret'yakov Gal.).

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