Oil On Canvas, Real Flavor of Old Masters

All SACCHI, Andrea 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
Hagar and Ismail in the Desert ug, SACCHI, Andrea
 Hagar and Ismail in the Desert ug   c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff
Marcantonio Pasquilini Crowned by Apollo sg, SACCHI, Andrea
 Marcantonio Pasquilini Crowned by Apollo sg   Oil on canvas Metropolitan Museum of Art, New York
Portrait of Monsignor Clemente Merlini sf, SACCHI, Andrea
 Portrait of Monsignor Clemente Merlini sf   c. 1630 Oil on canvas Galleria Borghese, Rome
St Francis Marrying Poverty d, SACCHI, Andrea
 St Francis Marrying Poverty d   1633 Oil on canvas 292 x 201 cm Galleria Nazionale d'Arte Antica, Rome
The Three Magdalenes DFY, SACCHI, Andrea
 The Three Magdalenes DFY   1634 Oil on canvas, 68 x 50,5 cm Galleria Nazionale d'Arte Antica, Rome
The Vision of St Romuald af, SACCHI, Andrea
 The Vision of St Romuald af   c. 1631 Oil on canvas, 310 x 175 cm Pinacoteca, Vatican

SACCHI, Andrea
Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,

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