Oil On Canvas, Real Flavor of Old Masters

All Leonardo Da Vinci 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
Adoration of the Magi, Leonardo  Da Vinci
 Adoration of the Magi   mk86 c.1481 Oil and bistre on wood 240x246cm Florence,Galleria degli Uffizi.
Bacchus, Leonardo  Da Vinci
 Bacchus   1510-1515 Type Oil on walnut panel transferred to canvas Dimensions 177 cm x 115 cm (70 in x 45 in) cyf
Bacchus (mk05), Leonardo  Da Vinci
 Bacchus (mk05)   Canvas,69 1/2 x 45 1/2''(177 x 115 cm).Collection of Louis
Cartoon, Leonardo  Da Vinci
 Cartoon   mk216 Drew this cartoon,a full-scale composition of the Virgin and Child with St Anne and the Infant St John the Baptist.
Detail of Madonna of the Rocks, Leonardo  Da Vinci
 Detail of Madonna of the Rocks   mk191 Oil on board
Detail of Madonna of the Rocks, Leonardo  Da Vinci
 Detail of Madonna of the Rocks   mk191 Flowers oil on the board
Detail of Madonna of the Rocks, Leonardo  Da Vinci
 Detail of Madonna of the Rocks   mk191 Oil on board
Flower Studies, Leonardo  Da Vinci
 Flower Studies   mk176 c.1505-08
Horses with horsemen, Leonardo  Da Vinci
 Horses with horsemen   mk178 after 1481 Metallstifizeichnung, with feather and brown India ink reinforced on Prapariertem paper 14.3x12.8cm
John the Baptist, Leonardo  Da Vinci
 John the Baptist   1513-1516 Type Oil on walnut wood Dimensions 69 cm x 57 cm (27.2 in x 22.4 in) cyf
La Belle Ferronniere, Leonardo  Da Vinci
 La Belle Ferronniere   Probably before 1750 Medium Oil on canvas cyf
Lady with Emine, Leonardo  Da Vinci
 Lady with Emine   mk156 1483-1490 Oil on panel 54x39cm
Last Supper, Leonardo  Da Vinci
 Last Supper   mk86 1495-1498 Oil tempera on plaster 460x880cm Milan,Santa Maria delle Grazie, Refectory
Madonna and Child with a Pomegranate, Leonardo  Da Vinci
 Madonna and Child with a Pomegranate   1472-76 Oil on panel, 15,7 x 12,8 cm
Madonna of the Rocks, Leonardo  Da Vinci
 Madonna of the Rocks   mk191 about 1508 oil on board 189.5x120cm
Madonna of the Rocks, Leonardo  Da Vinci
 Madonna of the Rocks   mk250 About the year 1485. Oil painting of wood, about 190.5 x 109.2 cm. The Louvre in Paris.
Madonna with a Flower, Leonardo  Da Vinci
 Madonna with a Flower   mk156 1478 Oil on canvas 49.5x33cm
Mona Lisa, Leonardo  Da Vinci
 Mona Lisa   mk156 c.1503-1506 Oil on poplar panel 77x53cm
Mona lisa, Leonardo  Da Vinci
 Mona lisa   1503 , oil on wood panel , 30.375x20.875 in ,77x53 cm, louvre,paris,france
Pod of cherry and forest strawberry, Leonardo  Da Vinci
 Pod of cherry and forest strawberry   mk186 1487-89 Paris institute de France
Portrait of a Lady at the Court of Milan (san05), Leonardo  Da Vinci
 Portrait of a Lady at the Court of Milan (san05)   Wood 25 x 17 1/2''(63 x 45 cm)Collection of Louis XIV INV 778 (MN)
Portrait of Ginevra de' Benci, Leonardo  Da Vinci
 Portrait of Ginevra de' Benci   between 1474(1474) and 1478(1478) Medium Oil on wood cyf
Portrait of Mona Lisa,La Gioconda (mk05), Leonardo  Da Vinci
 Portrait of Mona Lisa,La Gioconda (mk05)   1503-1506 Wood 30 1/4 x 21''(77 x 53 cm)The subject is thought to be the wife of a Florentine,Francesco del Giocondo Cut at the sides,losing pillars framing a window,which are now barely visible.Entered the Louvre about 1519 INV 779 (MN)
Regisol, Leonardo  Da Vinci
 Regisol   mk178 1490 pen-and-ink drawings 2.9x3.6cm
Reverse side of the portrait of Ginevra de' Benci, Leonardo  Da Vinci
 Reverse side of the portrait of Ginevra de' Benci   1474-46 Oil on wood, 38,8 x 36,7 cm
Studies for a Nativity, Leonardo  Da Vinci
 Studies for a Nativity   193 x 162 mm Metropolitan Museum of Art, New York Leonardo left hundreds of notebooks filled with drawings in which he explored ideas, compositions, or inventions. His curiosity led him to sketch and puzzle out diverse subjects, such as running water, growing plants, and human anatomy. The series of sketches on this sheet show Leonardo exploring a theme that would later emerge as the Virgin of the Rocks, in which the Virgin kneels over the infant Jesus, raising her right hand in benediction. Artist: LEONARDO da Vinci Painting Title: Studies for a Nativity , 1451-1500 Painting Style: Italian , graphics Type: study
Study for a kneeling Leda, Leonardo  Da Vinci
 Study for a kneeling Leda   1503-07 Black chalk, pen and ink on paper, 126 x 109 cm Museum Boijmans Van Beuningen, Rotterdam Leda, the wife of the king of Sparta, was seduced by Zeus in the form of a swan. She gave birth to two eggs from which hatched Helen, Clytemnestra, Castor and Pollux. This and a second compositional plan in Chatsworth show the kneeling Leda gently embracing the swan. With her right hand she is pointing to the children.
Study for the Trivulzio Equestrian Monument, Leonardo  Da Vinci
 Study for the Trivulzio Equestrian Monument   1508-10 Pen and ink on paper, 280 x 198 mm
Study of a child, Leonardo  Da Vinci
 Study of a child   c. 1508 Chalk on paper
The Annunciation, Leonardo  Da Vinci
 The Annunciation   mk156 c.1472 Oil and tempera on panel 98x217cm
The Annunciation, Leonardo  Da Vinci
 The Annunciation   nn09 c.1472-75 Oil on wood 98x217cm
The Battle of Anghiari, Leonardo  Da Vinci
 The Battle of Anghiari   mk176 1503-06 Oil on plaster
The Last Supper, Leonardo  Da Vinci
 The Last Supper   mk156 1495-1498 Oil and tempera on stone 460x880cm
The Virgin and Child with Anne (mk05), Leonardo  Da Vinci
 The Virgin and Child with Anne (mk05)   Wood 66 1/4 x 51 1/4\'\'(168 x 130 cm)Entered the Louvre in 1636
The Virgin of the Rocks, Leonardo  Da Vinci
 The Virgin of the Rocks   mk156 1483-86 Oil on panel 199x122cm
The Virgin of the Rocks, Leonardo  Da Vinci
 The Virgin of the Rocks   mk170 Cira 1508 Oil on wood 189.5x
The Virgin of the Rocks, Leonardo  Da Vinci
 The Virgin of the Rocks   1503-1506 Medium Oil on panel Dimensions 189.5 x 120 cm (74.6 x 47.2 in) cyf
Virgin and Child with St Anne and St John the Baptist, Leonardo  Da Vinci
 Virgin and Child with St Anne and St John the Baptist   mk86 c.1495 Charcoal,heightened with white on cardboard 144.5x104cm London,National Gallery
Virgin of the Rocks, Leonardo  Da Vinci
 Virgin of the Rocks   mk176 c.1485 Oil on wood 190.5x109.5
Virgin of the Rocks (mk10), Leonardo  Da Vinci
 Virgin of the Rocks (mk10)   Oil on canvas, 199 x 122 cm Paris,Musee du Louvre

Leonardo Da Vinci
Italian High Renaissance Painter and Inventor, 1452-1519 Florentine Renaissance man, genius, artist in all media, architect, military engineer. Possibly the most brilliantly creative man in European history, he advertised himself, first of all, as a military engineer. In a famous letter dated about 1481 to Ludovico Sforza, of which a copy survives in the Codice Atlantico in Milan, Leonardo asks for employment in that capacity. He had plans for bridges, very light and strong, and plans for destroying those of the enemy. He knew how to cut off water to besieged fortifications, and how to construct bridges, mantlets, scaling ladders, and other instruments. He designed cannon, very convenient and easy of transport, designed to fire small stones, almost in the manner of hail??grape- or case-shot (see ammunition, artillery). He offered cannon of very beautiful and useful shapes, quite different from those in common use and, where it is not possible to employ cannon ?? catapults, mangonels and trabocchi and other engines of wonderful efficacy not in general use. And he said he made armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery ?? and behind them the infantry will be able to follow quite unharmed, and without any opposition. He also offered to design ships which can resist the fire of all the heaviest cannon, and powder and smoke. The large number of surviving drawings and notes on military art show that Leonardo claims were not without foundation, although most date from after the Sforza letter. Most of the drawings, including giant crossbows (see bows), appear to be improvements on existing machines rather than new inventions. One exception is the drawing of a tank dating from 1485-8 now in the British Museum??a flattened cone, propelled from inside by crankshafts, firing guns. Another design in the British Museum, for a machine with scythes revolving in the horizontal plane, dismembering bodies as it goes, is gruesomely fanciful. Most of the other drawings are in the Codice Atlantico in Milan but some are in the Royal Libraries at Windsor and Turin, in Venice, or the Louvre and the École des Beaux Arts in Paris. Two ingenious machines for continuously firing arrows, machine-gun style, powered by a treadmill are shown in the Codice Atlantico. A number of other sketches of bridges, water pumps, and canals could be for military or civil purposes: dual use technology. Leonardo lived at a time when the first artillery fortifications were appearing and the Codice Atlantico contains sketches of ingenious fortifications combining bastions, round towers, and truncated cones. Models constructed from the drawings and photographed in Calvi works reveal forts which would have looked strikingly modern in the 19th century, and might even feature in science fiction films today. On 18 August 1502 Cesare Borgia appointed Leonardo as his Military Engineer General, although no known building by Leonardo exists. Leonardo was also fascinated by flight. Thirteen pages with drawings for man-powered aeroplanes survive and there is one design for a helicoidal helicopter. Leonardo later realized the inadequacy of the power a man could generate and turned his attention to aerofoils. Had his enormous abilities been concentrated on one thing, he might have invented the modern glider.

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