Oil On Canvas, Real Flavor of Old Masters

All Joseph Wright 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
A Philosopher Lecturing with a Mechanical Planetary, Joseph Wright
 A Philosopher Lecturing with a Mechanical Planetary   Date 1766 Medium Oil on canvas Dimensions 147,3 x 203,2 cm
An Experiment on a Bird in the Air Pump, Joseph Wright
 An Experiment on a Bird in the Air Pump   mk156 1768 Oil on canvas 183x244cm
experiment with a bird in an air pump, Joseph Wright
 experiment with a bird in an air pump   mk247 1768,oil on canvas,72x94.5 in,183x244 cm,national gallery,london,uk
Experiment with the Air-Pump, Joseph Wright
 Experiment with the Air-Pump   1768 Tate Gallery, London
Instrument of the solar system, Joseph Wright
 Instrument of the solar system   mk250 AD 1763 - 1765 years. Oil painting, 147.32 x 203.2 cm. Derby Museum and Art Gallery.
John Coats Browne, Joseph Wright
 John Coats Browne   mk77 c.1784 Oil on canvas 61 3/8x42 7/8in
Mr.and Mrs.Thomas Coltman, Joseph Wright
 Mr.and Mrs.Thomas Coltman   mk170 1770-1772 Oil on canvas 127x101.6cm
Portrait of the Reverend Basil Bury Beridge, Joseph Wright
 Portrait of the Reverend Basil Bury Beridge   mk150 c.1780/90 127x101cm
The Experiment with the Aipump (mk22), Joseph Wright
 The Experiment with the Aipump (mk22)   1768 Oil on canvas,183 x 244 cm London,National Gallery
The Forge, Joseph Wright
 The Forge   1772
View of the Lake of Nemi at Sunset (mk05), Joseph Wright
 View of the Lake of Nemi at Sunset (mk05)   Canvas 41 1/4 x 50 1/2''(105 x 128 cm)Acquired in 1970 R.F 1970-52 (S/AR)
Wright of Derby, Academy, Joseph Wright
 Wright of Derby, Academy   Wright of Derby, Academy by Lamplight cyf

Joseph Wright
1734-1797 British Joseph Wright Gallery English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794

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