Oil On Canvas, Real Flavor of Old Masters

All Jean Baptiste Greuze 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
A Student, Jean Baptiste Greuze
 A Student   1757 Medium Oil on canvas cyf
A Young Man in a Hat, Jean Baptiste Greuze
 A Young Man in a Hat   1750's The Hermitage, St.Petersburg
Claude Henri Watelet., Jean Baptiste Greuze
 Claude Henri Watelet.   salon de 1765 Medium Oil on canvas cyf
Head of a Young Girl, Jean Baptiste Greuze
 Head of a Young Girl   1777 The Hermitage, St.Petersburg
Inconsolable Widow, Jean Baptiste Greuze
 Inconsolable Widow   Date before 1763 Medium Oil on canvas Dimensions 40 X 32 cm (15.75 X 12.6 in) cyf
l accordee de village, Jean Baptiste Greuze
 l accordee de village   Date 1761(1761) Medium Oil on canvas Dimensions 92 x 117 cm (36.22 x 46.06 in)
L enfant a la colombe, Jean Baptiste Greuze
 L enfant a la colombe   Oil on canvas Dimensions 64,4 x 53,3 cm cyf
L'Accordee du Village (mk08), Jean Baptiste Greuze
 L'Accordee du Village (mk08)   1761 Oil on canvas 90x118cm Paris,Musee National du Louvre
L-Accordee de Village, Jean Baptiste Greuze
 L-Accordee de Village   mk176 1761 Oil on canvas 92x117cm
la petit paresseux, Jean Baptiste Greuze
 la petit paresseux   mk289 montpellier musee fabre
Louis-Francois Robin, Jean Baptiste Greuze
 Louis-Francois Robin   1794
Portrait of a Lady, Jean Baptiste Greuze
 Portrait of a Lady   Date ca. 1786(1786) Medium Oil on canvas Dimensions 61 ?? 50.4 cm (24 ?? 19.8 in) cyf
Portrait of a Lady, Jean Baptiste Greuze
 Portrait of a Lady   . 1773(1773) Medium Oil on canvas Dimensions 49.6 x 39.3 cm (19.5 x 15.5 in) cyf
Portrait of Count Stroganov as a Child, Jean Baptiste Greuze
 Portrait of Count Stroganov as a Child   1778(1778) Medium Oil Dimensions Unknown cyf
Portrait of Countess Ekaterina Shuvalova, Jean Baptiste Greuze
 Portrait of Countess Ekaterina Shuvalova   mk156 c.1770 Oil on canvs 60x50cm
Portrait of the Artist (mk05), Jean Baptiste Greuze
 Portrait of the Artist (mk05)   Wood 25 1/2 x 20 1/2''(65 x 52 cm)Bequest of Dr Louis La Caze 1869
Septimius Severus and Caracalla, Jean Baptiste Greuze
 Septimius Severus and Caracalla   1769 Oil on canvas, 124 x 160 cm Musee du Louvre, Paris This painting by Greuze is frankly Poussin-like. The artist wished to be recognized as a history painter; he chose an obscure subject to illustrate: Septimius Severus Roman emperor (146e11) reproaches his son, Caracalla for trying to assasinate him. Varied emotions are at work within it: from Caracalla's angry shame to the surprise of the chamberlain, Castor, at the emperor's recklessly heroic gesture which is at once a challenge and a rebuke. Artist: GREUZE, Jean-Baptiste Title: Septimius Severus and Caracalla Date: 1751-1800 French , painting : historical
Silence (mk25), Jean Baptiste Greuze
 Silence (mk25)   1759
The benefactress, Jean Baptiste Greuze
 The benefactress   MK169 1775 Cloth 114x147cm
the guitar player, Jean Baptiste Greuze
 the guitar player   mk247 1755 to 60 oil on canvas,27.75x22 in,71x56 cm,musee des beaux-arts,nantes,france
The Guitarist, Jean Baptiste Greuze
 The Guitarist   c1760
The Lamentation of Time Passing (mk08), Jean Baptiste Greuze
 The Lamentation of Time Passing (mk08)   c.1775 Oil on canvas 79x61cm Munich,Bayerische Staatsgemaldesamm-lungen,Alte Pinakothek
The Paternal Curse or and Ungrateful Son (mk05), Jean Baptiste Greuze
 The Paternal Curse or and Ungrateful Son (mk05)   Canvas 51 1/4 x 64''(130 x 162 cm)Acquired in 1820 INV
The Punishment of Filial Ingratitude (mk05), Jean Baptiste Greuze
 The Punishment of Filial Ingratitude (mk05)   Canvas 51 1/4 x 64 1/4''(130 x 163 cm)Acquired in 1820 INV
The Spoiled Child, Jean Baptiste Greuze
 The Spoiled Child   1765 The Hermitage, St.Petersburg
The Verwohnte child, Jean Baptiste Greuze
 The Verwohnte child   mk186 1765 St. Peter castles, Eremitage
The Village Betrothal (mk05), Jean Baptiste Greuze
 The Village Betrothal (mk05)   Canvas 36 1/4 x 46''(92 x 117 cm)Salon of 1761;acquired for the collection of Louis XVI in 1782 INV
Tournus, Jean Baptiste Greuze
 Tournus   mk60 1805 Oil on canvas 26x22"
Young Girl Weeping for her Dead Bird, Jean Baptiste Greuze
 Young Girl Weeping for her Dead Bird   Current location Louvre
Young Girl Weeping for her Dead Bird, Jean Baptiste Greuze
 Young Girl Weeping for her Dead Bird   Title Young Girl Weeping for her Dead Bird Date c. 1759 cyf
Young Woman in a White Hat, Jean Baptiste Greuze
 Young Woman in a White Hat   1780 Museum of Fine Arts, Boston
Young Woman Seen from the Back, Jean Baptiste Greuze
 Young Woman Seen from the Back   mk61 Oil on canvas 46x38cm

Jean Baptiste Greuze
1725-1805 French Jean Baptiste Greuze Galleries French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads (t?tes d'expression). These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Francois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litteraire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Th?ophile Thore, Arsene Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huiti?me siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre. The advent of modernism in the early decades of the 20th century totally obliterated Greuze's reputation. It was only in the 1970s, with Brookner's monograph, Munhall's first comprehensive exhibition of the artist's work, increased sale prices, important museum acquisitions and fresh analyses of his art by young historians, that Greuze began to regain the important place that he merits in the history of French art of the 18th century.

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