Oil On Canvas, Real Flavor of Old Masters

All GRAMATICA, Antiveduto 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
Cephalus and Procris, GRAMATICA, Antiveduto
 Cephalus and Procris   c. 1580. Oil on Canvas cyf
Loth and his daughters, GRAMATICA, Antiveduto
 Loth and his daughters   1633. Oil on canvas cyf
Moses saved from the waters, GRAMATICA, Antiveduto
 Moses saved from the waters   1600-1602. Oil on wood cyf
Rape of the negro girl, GRAMATICA, Antiveduto
 Rape of the negro girl   1632. Oil on canvas cyf
Saint Engracia, GRAMATICA, Antiveduto
 Saint Engracia   1650. Oil on canvas cyf
Saint Ursula, GRAMATICA, Antiveduto
 Saint Ursula   1650. Oil on canvas cyf
St Cecilia with Two Angels, GRAMATICA, Antiveduto
 St Cecilia with Two Angels   1620-25 Oil on canvas
St Cecilia with Two Angels fdg, GRAMATICA, Antiveduto
 St Cecilia with Two Angels fdg   1620-25 Oil on canvas Kunsthistorisches Museum, Vienna
The Theorbo Player dfghj, GRAMATICA, Antiveduto
 The Theorbo Player dfghj   c. 1615 Oil on canvas, 119 x 85 cm Galleria Sabauda, Turin

GRAMATICA, Antiveduto
Italian Baroque Era Painter, 1571-1626 Italian painter. He was from a Sienese family. According to Baglione, his parents were journeying from Siena to Rome when his mother went into labour and gave birth to him at an inn, an inconvenience that had been foreseen ('antiveduto') by his father and led to his unusual name. For a brief period he was a pupil of Giandomenico Angelini ( fl 1550-1600), under whom he painted small-scale works, mainly on copper. His prolific production of devotional paintings, portraits and copies of portraits won him swift success; in 1593 he became a member of the Accademia di S Luca and in 1604 of the Congregazione dei Virtuosi. His early portraits have not been identified; they included highly popular copies of a series of Famous Men then at the Villa Medici, works that Caravaggio probably also copied when he worked for some months in his studio on his arrival in Rome in 1592

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