Oil On Canvas, Real Flavor of Old Masters

All Fedor Rokotov 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
Alexandra Struyskaya, Fedor Rokotov
 Alexandra Struyskaya   Alexandra Struyskaya. 1772
Anna Yuryevna Kvashnina Samarina., Fedor Rokotov
 Anna Yuryevna Kvashnina Samarina.   Anna Yuryevna Kvashnina-Samarina. 1770s
Catherine II,, Fedor Rokotov
 Catherine II,   Catherine II, 1770
Count I. G. Orlov., Fedor Rokotov
 Count I. G. Orlov.   Count I. G. Orlov. c.1762-1765
Grand Duke Constantine Pavlovich of Russia, Fedor Rokotov
 Grand Duke Constantine Pavlovich of Russia  
Lady in a White Cap., Fedor Rokotov
 Lady in a White Cap.   Lady in a White Cap. 1790s
Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings, Fedor Rokotov
 Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings   1760s. Oil on canvas. The Tretyakov Gallery, Moscow, Russia. Date 1760s cyf
Portrait of Anna Yuryevna Kvashnina Samarina, Fedor Rokotov
 Portrait of Anna Yuryevna Kvashnina Samarina   1770s Medium Oil on canvas cyf
Portrait of Catherine II, Fedor Rokotov
 Portrait of Catherine II   1770 The Hermitage, St.Petersburg
Portrait of Nathalie Petrovna Golitsyn in a white cap, Fedor Rokotov
 Portrait of Nathalie Petrovna Golitsyn in a white cap   1790s Oil on canvas cjr

Fedor Rokotov
Russian Painter, ca.1735-1808 Fyodor Stepanovich Rokotov (Fedor Rokotov) (Russian: ?????????? ??????????́?????????? ????́??????????) (1736?C1809) was a distinguished Russian painter who specialized in portraits. Fyodor Rokotov was born into a family of peasant serfs, belonging to the Repnins. Much in his biography is obscure. He studied art in Saint Petersburg Academy of Arts. After buying back his freedom in the end of 1750s he became established as a fashionable painter. In 1765, Rokotov was elected an Academician, but he did not work as a professor in the Academy long, because it interfered with his painting. He returned to Moscow in 1765, where he lived for the rest of his life. He had a lot of commissions there, becoming one of the best portrait painters of his time. Among his best-known portraits are Portrait of Alexandra Struyskaya (1772), sometimes called the Russian Mona Lisa and admittedly the most celebrated piece of the 18th-century Russian painting; Portrait of Countess Elisabeth Santi (1785), and Lady in a Pink Dress (1770s, illustration, right). Rokotov avoided painting formal portraits with lots of adornments and decorations. Instead he was one of the first Russian painters advancing a psychological portrait with attention to optical and atmospheric effects.

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