Oil On Canvas, Real Flavor of Old Masters

All Charles conder 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
58413  
A Holiday at Mentone, Charles conder
 
 A Holiday at Mentone   A Holiday at Mentone, c1888. This painting featured on a 1984 Australian postage stamp.
82301  
An Early Taste for Literature, Charles conder
 
 An Early Taste for Literature   painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cyf
79254  
An Early Taste for Literature,, Charles conder
 
 An Early Taste for Literature,   An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cjr
75369  
Arcadia, Charles conder
 
 Arcadia   Arcadia (1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868-1909). cjr
77246  
Arcadia, Charles conder
 
 Arcadia   1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909). cyf
75417  
Centennial Choir at Sorrento, Charles conder
 
 Centennial Choir at Sorrento   Centennial Choir at Sorrento (1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868-1909). cjr
77268  
Centennial Choir at Sorrento, Charles conder
 
 Centennial Choir at Sorrento   1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909). cyf
28034  
Departure of the SS Orient from Circular Quay, Charles conder
 
 Departure of the SS Orient from Circular Quay   1888 Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in) Art Gallery of New South Wales,Sydney (mk63)
23086  
Departure of thte OrientCircularQuay (nn02), Charles conder
 
 Departure of thte OrientCircularQuay (nn02)   1888 Oil on canvas 17 3/4x19 3/4" Purchased 1888
77350  
Fatal Colours, Charles conder
 
 Fatal Colours   1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868?C1909). cyf
42160  
Figure composition, Charles conder
 
 Figure composition   mk167 c.1905 Oil
75459  
Going Home, Charles conder
 
 Going Home   Going Home (1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868-1909). cjr
77344  
Going Home, Charles conder
 
 Going Home   1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868?C1909). cyf
75358  
Herrick Blossoms, Charles conder
 
 Herrick Blossoms   Herrick's Blossoms (1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder (1868-1909). cjr
77237  
Herrick s Blossoms, Charles conder
 
 Herrick s Blossoms   1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder cyf
23090  
Holiday at Mentone (nn02), Charles conder
 
 Holiday at Mentone (nn02)   1888 Oil on canvas 18 1/4x24"
75466  
How We Lost Poor Flossie, Charles conder
 
 How We Lost Poor Flossie   How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868-1909). cjr
77349  
How We Lost Poor Flossie, Charles conder
 
 How We Lost Poor Flossie   (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868?C1909). cyf
77230  
Impressionists Camp, Charles conder
 
 Impressionists Camp   1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909). cyf
75351  
Impressionists' Camp, Charles conder
 
 Impressionists' Camp   Impressionists' Camp (1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868-1909). cjr
42158  
Miss Raynor, Charles conder
 
 Miss Raynor   mk167 c.1890 Oil
23091  
Springtime (nn02), Charles conder
 
 Springtime (nn02)   1888 Oil on canvas 17 3/5x23 1/4
75467  
The Fatal Colours, Charles conder
 
 The Fatal Colours   The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909). cjr
42159  
The Meeting, Charles conder
 
 The Meeting   mk167 c.1895 Watercolo on silk
23092  
Yarding Sheep (nn02), Charles conder
 
 Yarding Sheep (nn02)   1890 Oil on canvas 14x22 1/16"

Charles conder
English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont



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