Oil On Canvas, Real Flavor of Old Masters

All Boris Kustodiev 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
A Bolshevik, Boris Kustodiev
 A Bolshevik   mk193 1920 Oil on canvas 101x141cm
Blue House, Boris Kustodiev
 Blue House   Blue House (1920)
Bolshevik, Boris Kustodiev
 Bolshevik   mk68 Oil on canvas Moscow, Tretyakov State Gallery 1920 Russia
Bolshevik, Boris Kustodiev
 Bolshevik   Bolshevik (1920).
Carnival, Boris Kustodiev
 Carnival   mk100 1916 Oil on canvas 61x123cm
Country, Boris Kustodiev
 Country   Country (1919)
Easter Greetings, Boris Kustodiev
 Easter Greetings   Easter Greetings (1912).
Fair, Boris Kustodiev
 Fair   Fair (1910).
Fiodor Shaliapin, Boris Kustodiev
 Fiodor Shaliapin   1922 The Russian Museum, St.Petersburg
Irina, Boris Kustodiev
 Irina   Irina (daughter) (1906).
Isaak Brodsky, Boris Kustodiev
 Isaak Brodsky   Isaak Brodsky (1920).
Julia Kustodieva, Boris Kustodiev
 Julia Kustodieva   1903 The Russian Museum, St.Petersburg
Kapitsa and Semenov, Boris Kustodiev
 Kapitsa and Semenov   Kapitsa and Semenov (1921).
Maslenitsa Tuesday, Boris Kustodiev
 Maslenitsa Tuesday   Maslenitsa Tuesday (1916).
Maximilian Voloshin, Boris Kustodiev
 Maximilian Voloshin   Maximilian Voloshin (1924).
Merchant Chest Maker, Boris Kustodiev
 Merchant Chest Maker   1923 The Artistic Museum, Nizhny Novgorod
Mir Iskusstva Members, Boris Kustodiev
 Mir Iskusstva Members   Mir Iskusstva Members (1916?C1920).
Nikolai Roerich, Boris Kustodiev
 Nikolai Roerich   1913 The Russian Museum, St.Petersburg
Portrait of Elizabeth Grigorievna Pushkina, Boris Kustodiev
 Portrait of Elizabeth Grigorievna Pushkina   Portrait of Elizabeth Grigorievna Pushkina (Early 1900s).
Portrait of Fyodor Chaliapin, Boris Kustodiev
 Portrait of Fyodor Chaliapin   mk193 1921 Oil on canvas 215x172cm
Portrait of Julia Kustodieva, Boris Kustodiev
 Portrait of Julia Kustodieva   Portrait of Julia Kustodieva (wife) (1903).
Portrait of Julia Kustodieva, Boris Kustodiev
 Portrait of Julia Kustodieva   1903(1903) Medium Oil on canvas Dimensions 139 x 133.5 cm (54.7 x 52.6 in) cyf
Portrait of president of the Russian Historian Society, Boris Kustodiev
 Portrait of president of the Russian Historian Society   oil on canvas mounted on panel Dimensions 63 X 51.3 cm cyf
Portrait of Renee Notgaft, Boris Kustodiev
 Portrait of Renee Notgaft   Portrait of Renee Notgaft (1914).
Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State , Boris Kustodiev
 Portrait of the Governor-General of Finland and member of State Council Nikolai Ivanovich Bobrikov. Study for the picture Formal Session of the State   1902-1903 Medium oil on canvas Dimensions 60.5 x 43 cm (23.8 x 16.9 in) cjr
Portrait of Vasiliy Mate, Boris Kustodiev
 Portrait of Vasiliy Mate   Portrait of Vasiliy Mate (1902).
Promenade Along Volga River, Boris Kustodiev
 Promenade Along Volga River   Promenade Along Volga River (1909).
Renee Notgaft, Boris Kustodiev
 Renee Notgaft   1914 The Russian Museum, St.Petersburg
Russian Historian Society, Boris Kustodiev
 Russian Historian Society   1902-1903 Medium Oil on canvas mounted on panel Dimensions 63 x 51.3 cm (24.8 x 20.2 in) cyf
Russian Venus, Boris Kustodiev
 Russian Venus   Russian Venus (1926).
Self-Portrait, Boris Kustodiev
 Self-Portrait   mk52 1912 Tempera on board 100x85cm Uffizi,Florence
Shalyapin, Boris Kustodiev
 Shalyapin   Shalyapin (1921).
Stepan Razin, Boris Kustodiev
 Stepan Razin   Stepan Razin (1918).
The Artist's Daughter, Irina, Boris Kustodiev
 The Artist's Daughter, Irina   1906(1906) Medium oil cjr
The Bolshevik, Boris Kustodiev
 The Bolshevik   1920(1920) Medium oil on canvas Dimensions 101 x 141 cm (39.8 x 55.5 in) cjr
The Consecration of the Waters at Epiphany, Boris Kustodiev
 The Consecration of the Waters at Epiphany   mk100 1921 Oil on canvas 89x74cm
The Merchant Wife, Boris Kustodiev
 The Merchant Wife   The Merchant's Wife, (1918
The Merchants Wife, Boris Kustodiev
 The Merchants Wife   oil on canvas cyf
Tsar Nicholas II, Boris Kustodiev
 Tsar Nicholas II   Tsar Nicholas II (1915)
Yevgeny Zamyatin, Boris Kustodiev
 Yevgeny Zamyatin   Yevgeny Zamyatin (1923).

Boris Kustodiev
1878-1927 Russian Boris Kustodiev Galleries The Russian Revolution of 1905, which shook the foundations of society, evoked a vivid response in the artist's soul. He contributed to the satirical journals Zhupel (Bugbear) and Adskaya Pochta (Hell??s Mail). At that time, he first met the artists of Mir Iskusstva (World of Art), a group of innovative Russian artists. He joined their association in 1910 and subsequently took part in all their exhibitions. In 1905, Kustodiev first turned to book illustrating, a genre in which he worked throughout his entire life. He illustrated many works of classical Russian literature, including Nikolai Gogol's Dead Souls, The Carriage, and The Overcoat; Mikhail Lermontov's The Lay of Tsar Ivan Vasilyevich, His Young Oprichnik and the Stouthearted Merchant Kalashnikov; and Leo Tolstoy's How the Devil Stole the Peasants Hunk of Bread and The Candle. In 1909, he was elected into Imperial Academy of Arts. He continued to work intensively, but a grave illness??tuberculosis of the spine??required urgent attention. On the advice of his doctors he went to Switzerland, where he spent a year undergoing treatment in a private clinic. He pined for his distant homeland, and Russian themes continued to provide the basic material for the works he painted during that year. In 1918, he painted The Merchant's Wife, which became the most famous of his paintings. The Merchant's Wife, (1918).In 1916, he became paraplegic. "Now my whole world is my room", he wrote. His ability to remain joyful and lively despite his paralysis amazed others. His colourful paintings and joyful genre pieces do not reveal his physical suffering, and on the contrary give the impression of a carefree and cheerful life. His Pancake Tuesday/Maslenitsa (1916) and Fontanka (1916) are all painted from his memories. He meticulously restores his own childhood in the busy city on the Volga banks. In the first years after the Russian Revolution of 1917 the artist worked with great inspiration in various fields. Contemporary themes became the basis for his work, being embodied in drawings for calendars and book covers, and in illustrations and sketches of street decorations. His covers for the journals The Red Cornfield and Red Panorama attracted attention because of their vividness and the sharpness of their subject matter. Kustodiev also worked in lithography, illustrating works by Nekrasov. His illustrations for Leskov's stories The Darner and Lady Macbeth of the Mtsensk District were landmarks in the history of Russian book designing, so well did they correspond to the literary images.

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