Oil On Canvas, Real Flavor of Old Masters

All ALTDORFER, Albrecht 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
4715  
Christ on the Cross (detail)  gvcvc, ALTDORFER, Albrecht
 
 Christ on the Cross (detail) gvcvc   c. 1520 Wood Museum of Fine Arts, Budapest
4714  
Christ on the Cross (detail)  vfgf, ALTDORFER, Albrecht
 
 Christ on the Cross (detail) vfgf   c. 1520 Wood Museum of Fine Arts, Budapest
4712  
Christ on the Cross between Mary and St John, ALTDORFER, Albrecht
 
 Christ on the Cross between Mary and St John   Panel Staatliche Museen, Kassel
4713  
Christ on the Cross f, ALTDORFER, Albrecht
 
 Christ on the Cross f   c. 1520 Wood, 75 x 57,5 cm Museum of Fine Arts, Budapest
42954  
Christ Taking Leave of his mother, ALTDORFER, Albrecht
 
 Christ Taking Leave of his mother   mk170 dated 1520 Oil on lime 139.2x108.7cm
4710  
Communion of the Apostles, ALTDORFER, Albrecht
 
 Communion of the Apostles   1516-18 Oil on wood, 42 x 32,5 cm Staatliche Museen, Berlin
4699  
Danubian Landscape g, ALTDORFER, Albrecht
 
 Danubian Landscape g   1520-25 Parchment on wood, 30 x 22 cm Alte Pinakothek, Munich
4725  
Landscape  kk, ALTDORFER, Albrecht
 
 Landscape kk   Etching Graphische Sammlung Albertina, Vienna
42953  
Landscape with a Footbridge, ALTDORFER, Albrecht
 
 Landscape with a Footbridge   mk170 1518-1520 Oil on parchment 42.1x35.5cm
4698  
Landscape with Path, ALTDORFER, Albrecht
 
 Landscape with Path   c. 1518 Parchment and wood, 42 x 35,5 cm National Gallery, London
4697  
Landscape with Satyr Family, ALTDORFER, Albrecht
 
 Landscape with Satyr Family   1507 Panel, 23 x 20 cm Staatliche Museen, Berlin
4705  
Loth and his Daughters jj, ALTDORFER, Albrecht
 
 Loth and his Daughters jj   1537 Oil on limewood, 107,5 x 189 cm Kunsthistorisches Museum, Vienna
63550  
Lovers, ALTDORFER, Albrecht
 
 Lovers   1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest This fragment of a fresco was executed for the decoration of Kaiserbad in Regensburg. (Other fragments are in the St?dtishes Museum, Regensburg). The importance is given to these fragments by the fact that no wall other wall paintings survived from the masters of the Danube school (except a damaged fresco by Wolf Huber in Neuburg am Inn.Artist:ALTDORFER, Albrecht Title: Lovers Painted in 1501-1550 , German - - painting : other
4704  
Lovers ddff, ALTDORFER, Albrecht
 
 Lovers ddff   c. 1530 Fresco, 36 x 40 cm Museum of Fine Arts, Budapest
4717  
Mary with the Child  kkk, ALTDORFER, Albrecht
 
 Mary with the Child kkk   1520-25 Wood, 49,4 x 35,5 cm Museum of Fine Arts, Budapest
4709  
Nativity hh, ALTDORFER, Albrecht
 
 Nativity hh   c. 1513 Wood, 36 x 25,5 cm Staatliche Museen, Berlin
4707  
Rest on the Flight into Egypt, ALTDORFER, Albrecht
 
 Rest on the Flight into Egypt   1510 Oil on panel, 57 x 38 cm Staatliche Museen, Berlin
4708  
Rest on the Flight into Egypt (detail) kk, ALTDORFER, Albrecht
 
 Rest on the Flight into Egypt (detail) kk   1510 Oil on panel Staatliche Museen, Berlin
4706  
Saint George in the Forest  ggg, ALTDORFER, Albrecht
 
 Saint George in the Forest ggg   1510 Parchment on lime panel Alte Pinakothek, Munich
4711  
Schone Maria, ALTDORFER, Albrecht
 
 Schone Maria   Wood Stiftskirche St. Johann, Regensburg
4723  
St Florian Taking Leave of the Monastery, ALTDORFER, Albrecht
 
 St Florian Taking Leave of the Monastery   c. 1530 Oil on wood, 81,4 x 67 cm Galleria degli Uffizi, Florence
4700  
Susanna in the Bath and the Stoning of the Elders, ALTDORFER, Albrecht
 
 Susanna in the Bath and the Stoning of the Elders   1526 Wood, 74,8 x 61,2 cm Alte Pinakothek, Munich
4719  
The Arrest of Christ, ALTDORFER, Albrecht
 
 The Arrest of Christ   1509-16 Oil on wood, 129,5 x 97 cm Augustiner Chorherrenstift, St Florian bei Linz
4703  
The Battle of Alexander (detail)   bbb, ALTDORFER, Albrecht
 
 The Battle of Alexander (detail) bbb   1529 Lime panel Alte Pinakothek, Munich
4702  
The Battle of Alexander (detail)  vcvv, ALTDORFER, Albrecht
 
 The Battle of Alexander (detail) vcvv   1529 Lime panel Alte Pinakothek, Munich
4722  
The Entombment h, ALTDORFER, Albrecht
 
 The Entombment h   c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna
4721  
The Flagellation of Christ  kjlkljk, ALTDORFER, Albrecht
 
 The Flagellation of Christ kjlkljk   1518 Ol on wood Augustiner Chorherrenstift, St Florian bei Linz
4724  
The Martyrdom of St Florian, ALTDORFER, Albrecht
 
 The Martyrdom of St Florian   c. 1530 Oil on wood, 76 x 67 cm Galleria degli Uffizi, Florence
4720  
The Resurrection of Christ  jjkk, ALTDORFER, Albrecht
 
 The Resurrection of Christ jjkk   c. 1516 Oil on wood, 70,5 x 37,3 cm Kunsthistorisches Museum, Vienna

ALTDORFER, Albrecht
German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.



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