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Oil On Canvas, Real Flavor of Old Masters
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Andrea del Verrocchio
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Tobias and the Angel
Painting ID:: 51772
new19/Andrea del Verrocchio-327875.jpg
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Andrea del Verrocchio
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Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni. |
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Tobias and the Angel |
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nn09
c.1470-800
33x26in |
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Related Paintings::.
| Still life of a turkey,a bantan,a barn owl and a grey partridge in a rocky landscape | Breton Interior | Supper at Emmaus (detail) dfg | |
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