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Oil On Canvas, Real Flavor of Old Masters
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GILLOT, Claude
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The Two Carriages (mk05)
Painting ID:: 20664
new6/GILLOT, Claude-269677.jpg
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GILLOT, Claude
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French Painter, 1673-1722
French draughtsman, printmaker and painter. He was the son of an embroiderer and painter of ornaments, who doubtless trained him before he entered the Paris studio of Jean-Baptiste Corneille about 1690; there he learnt to paint and etch. In 1710 he was approved by the Academie Royale; he was received as a history painter five years later, on presentation of the Nailing of Christ to the Cross . Although he painted other elevated subjects, including a Death of the Virgin (1715; untraced) for his native Langres, he was most active as a draughtsman and printmaker specializing in theatre and genre scenes, as well as bacchanals and designs for decorations. Gillot's principal source of inspiration was the popular theatre; he is said to have run a puppet theatre, to have written plays and once to have been in charge of sets, machinery and costume for the opera. This interest was to have a profound effect on the art of his principal pupil, Antoine Watteau |
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The Two Carriages (mk05) |
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Canvas 50 x 63''(127 x 160 cm)A scene from the Commedia dell'arte play by Regnard and Dufresny Acquired in 1923 R.F. |
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Related Paintings::.
| Head of a Peasant Woman with White Cap (nn04) | In the Old South | Selfportrait under the influence of morphium | |
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