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Louis Welden Hawkins -- Click Here
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British
1849-1910
Louis Welden Hawkins Galleries |
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Lionel Percy Smythe,RA,RWS -- Click Here
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1839-1918
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Levi Wells Prentice -- Click Here
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1850-1935
Levi Wells Prentice Gallery |
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Leslie Ward -- Click Here
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British Illustrator caricaturist and portrait painter , (1851-1922),
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Leibl, Wilhelm -- Click Here
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German Realist Painter, 1844-1900 |
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Larkin, William -- Click Here
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British Painter, ca.1580-1619 |
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KALF, Willem -- Click Here
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Dutch Baroque Era Painter, ca.1622-1693 |
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julian alden weir -- Click Here
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American Impressionist Painter, 1852-1919 |
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Joseph Wright -- Click Here
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1734-1797
British
Joseph Wright Gallery
English painter. He painted portraits, landscapes and subjects from literature, but his most original and enduringly celebrated works are a few which reflect the philosophical and technological preoccupations of the later 18th century and are characterized by striking effects of artificial light. He was the first major English painter to work outside the capital all his life: apart from spells in Liverpool (1768-71), Italy (1773-5) and Bath (1775-7), he lived and worked in his native Derby, though exhibiting in London at both the Society of Artists (1765-76, 1791) and the Royal Academy (1778-82, 1789-90, 1794 |
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Joseph Mallord William Turner -- Click Here
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English Romantic Painter, 1775-1851 |
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Joseph Mallord William Truner -- Click Here
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born: London, England; 23 April 1775 died: London, England; 19 December
1851. |
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johnwilliam waterhouse,R.A. -- Click Here
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English Pre-Raphaelite Painter, 1849-1917 |
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John Wollaston -- Click Here
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English-born American Rococo Era Painter, active 1742-1775 |
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John Wolcott Adams -- Click Here
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American Illustrator
1874-1925
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John William Waterhouse -- Click Here
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English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic. |
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John William North,ARA,RWS -- Click Here
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1842-1924
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John William Hill -- Click Here
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English Painter, 1812-1879 |
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John William Godward -- Click Here
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English
1861-1922 |
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John White Alexander -- Click Here
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1865-1915
John White Alexander Galleries |
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John Whetten Ehninger -- Click Here
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American Painter, 1827-1889 |
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John Webber -- Click Here
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1751-1793), Landscape painter |
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John ward of hull -- Click Here
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British, 1798-1849 |
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John Michael Wright -- Click Here
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English Baroque Era Painter, ca.1617-1694 |
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John Ferguson Weir -- Click Here
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American painter and sculptor.
1841-1926 |
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John warwick smith -- Click Here
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English Painter, 1749-1831 |
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Johann Wolfgang von Goethe -- Click Here
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Frankfurt 1749-1832 Weimar
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Johann Wilhelm Schirmer -- Click Here
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Julich 1807-1863 Karlsruhe |
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Johan Hendrik Weissenbruch -- Click Here
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Dutch Painter, 1824-1903
Painter, cousin of Jan Weissenbruch. He referred to himself and signed his work as Jan Hendrik Weissenbruch. From 1840 he attended drawing lessons with the Norwegian painter Johannes Lew, and from 1846 he was taught by Bartholomeus J. van Hove at the Koninklijke Academie van Beeldende Kunsten in The Hague. His early paintings clearly show the influence of van Hove and Andreas Schelfhout, although it is uncertain whether he was actually taught by the latter. His father, an avid collector, owned works by both artists. |
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Joachim Wtewael -- Click Here
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1566-1638 Flemish Joachim Wtewael Galleries
Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.). |
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Jewett, William Smith -- Click Here
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American, 1792-1874 |
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Jessie Willcox Smith -- Click Here
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American Golden Age Illustrator, 1863-1935 |
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Jean-Antoine Watteau -- Click Here
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1684-1721
Antoine Watteau Art Locations
He is best known for his invention of a new genre, the fete galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under FETE CHAMPETRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume, thus blurring references to both time and place.
Watteau work was widely collected during his lifetime and influenced a number of other painters in the decades following his death, especially in France and England. His drawings were particularly admired. Documented facts about Watteau life are notoriously few, though several friends wrote about him after his death (see Champion). Of over two hundred paintings generally accepted as his work |
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Jean Baptiste Weenix -- Click Here
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1621-1660
Dutch |
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Jean antoine Watteau -- Click Here
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French Rococo Era Painter, 1684-1721 |
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Jarvis John Wesley -- Click Here
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English-born American Painter, ca.1780-1840 |
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Jan Weenix -- Click Here
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Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
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James Ward -- Click Here
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English Romantic Painter, 1769-1859 |
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James Mcneill Whistler -- Click Here
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American Painter and Printmaker, 1834-1903 |
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James Abbott Mcneill Whistler -- Click Here
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American Tonalist Painter and Printmaker, 1834-1903 |
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James Abbott McNeil Whistler -- Click Here
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1834-1903
James Abbott McNeill Whistler Art Locations |
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James Abbot McNeill Whistler -- Click Here
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b Lowell MA 1834 d London 1903 |
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J.M.W.Turner -- Click Here
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English Romantic Painter, 1775-1851 |
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Isaac Whitehead -- Click Here
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Australian
c.1819-1881
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HUBER, Wolf -- Click Here
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German Northern Renaissance Painter, ca.1490-1553 |
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Homer Watson -- Click Here
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Canadian Painter, 1855-1936 |
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HOGARTH, William -- Click Here
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British Painter and Printmaker, 1697-1764 |
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HERREYNS, Willem -- Click Here
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Flemish painter (b. 1743, Antwerpen, d. 1827, Antwerpen) |
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Henry William Pickersgill -- Click Here
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English Painter, 1782-1875 |
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Henry Walton -- Click Here
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British Painter ,
c 1746-1813 |
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Henry Wallis -- Click Here
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British
1830-1916
1916). English painter, writer and collector. He first studied at F. S. Cary academy and in 1848 entered the Royal Academy Schools, London. He is also thought to have trained in Paris at some time in the late 1840s or early 1850s, first in Charles Gleyre atelier and subsequently at the Ecole des Beaux-Arts. He specialized in portraits of literary figures and scenes from the lives of past writers, as in Dr Johnson at Cave, the Publisher (1854; untraced). His first great success was the Death of Chatterton (London, Tate), which he exhibited at the Royal Academy in 1856. The impoverished late 18th-century poet Thomas Chatterton, who while still in his teens had poisoned himself in despair, was a romantic hero for many young and struggling artists in Wallis day. He depicted the poet dead in his London garret, the floor strewn with torn fragments of manuscript and, tellingly, an empty phial near his hand. The painting was universally praised, not least by John Ruskin who described it as faultless and wonderful, advising visitors to examine it well, inch by inch. Although Wallis was only loosely connected with the Pre-Raphaelite movement, his method and style in Chatterton reveal the importance of that connection: the vibrant colours and careful build-up of symbolic detail are typical Pre-Raphaelite concerns. The success of Chatterton was such that, when exhibited in Manchester the following year, it was protected from the jostling crowds by a policeman. It was bought by another artist, Augustus |
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Henry Clarence Whaite -- Click Here
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British artist, 1828-1912 |
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Henrietta Mary Ada Ward -- Click Here
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Historical genre painter.1852-1924
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Hennessy, William John -- Click Here
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English, 19th Century |
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Hendrik Willem Mesdag -- Click Here
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Hendrik Willem Mesdag was born on February 23, 1831 in Groningen. His father, a merchant and banker, was an amateur painter who saw to it that his two sons were also educated in the art of painting. |
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Helen Allingham,R,W.S -- Click Here
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1848-1926
Studies of Flowers |
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HEDA, Willem Claesz. -- Click Here
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Dutch painter (b. 1594, Haarlem, d. 1680, Haarlem). |
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Hahn William -- Click Here
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American Painter, 1829-1887 |
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Gustaf Wilhelm Palm -- Click Here
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Swedish, 1810-1890 |
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Gotthardt de Wedig -- Click Here
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German, 1583-1641 |
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