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James Shannonc -- Click Here
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born in the United States and moved to England in 1878 where he trained at South Kensington
1862-1923
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James Seymour -- Click Here
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British Painter , ca.1702-1752 |
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James Peale -- Click Here
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1749-1831
James Peale Galleries |
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James Mcneill Whistler -- Click Here
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American Painter and Printmaker, 1834-1903 |
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James Hope -- Click Here
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American, born circa 1818-1892 |
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James Hamilton -- Click Here
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Irish-born American Painter, 1819-1878 |
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James H. Cafferty -- Click Here
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American, 1819-1869 |
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James Guthrie -- Click Here
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Scottish Painter, 1859-1930
Sir James Guthrie (June 10 1859?CSeptember 6 1930) was a Scottish painter known, later on in his career, for his portraiture, although primarily known for his work in the realm of Scottish Realism.
Born in Greenock, Guthrie, the son of a clergyman, originally enrolled at Glasgow University to study law, but abandoned this in favour of painting in 1877. Unlike many of his contemporaries he did not study in Paris, being mostly self-taught, although he was mentored for a short time by James Drummond in Glasgow and then John Pettie in London. He lived most of his life in the Scottish Borders, most notably in Cockburnspath, Berwickshire, where he painted some of his most important works, including A Hind Daughter (1883), and Schoolmates. He was strongly influenced by the French Realists, especially Jules Bastien-Lepage, and was associated with the Glasgow Boys.
He was elected an associate of the Royal Scottish Academy in 1888, and a full member in 1892. In 1902 he succeeded Sir George Reid as RSA president in 1902, and he was knighted the following year. He died in Rhu, Dunbartonshire in 1930 |
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James Gillray -- Click Here
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English Illustrator, 1757-1815 |
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James Edward Buttersworth -- Click Here
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American Painter, 1817-1894 |
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James Duffield Harding -- Click Here
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English Painter, ca.1797-1863 |
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James Dickson Innes -- Click Here
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A British landscape painter who specialized in mountain scenes
Welsh Painter, 1887-1914 |
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James Collinson -- Click Here
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English Pre-Raphaelite Painter, 1825-1881 |
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James Charles -- Click Here
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English Painter, 1851-1906 |
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James Caldwall -- Click Here
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British b.1739 d. in or after 1819 |
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James Barry -- Click Here
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b.Oct. 11, 1741, Cork, County Cork, Ire.
d.Feb. 22, 1806, London, England.
Irish James Barry Gallery
was born on 9th November at Captain Lieutenant Bouchiers quarters at the Old Train Barrack Yard in Ann Street, Belfast, Co. Antrim in the north of Ireland.
Although Barry lived his adult life as a man, his true gender is unknown. It is widely accepted that Barry was a woman who chose to live as a man so that he might be accepted as a university student and be able to pursue his chosen career as a surgeon. |
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James Barenger -- Click Here
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English Painter, 1780-1831 |
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James Baker Pyne -- Click Here
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English Painter, 1800-1870 |
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James Abbott Mcneill Whistler -- Click Here
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American Tonalist Painter and Printmaker, 1834-1903 |
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James Abbott McNeil Whistler -- Click Here
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1834-1903
James Abbott McNeill Whistler Art Locations |
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James Abbot McNeill Whistler -- Click Here
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b Lowell MA 1834 d London 1903 |
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jakob seisenegger -- Click Here
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Jakob Seisenegger (1505 ?C 1567) was an Austrian painter used by Charles V. He won international fame for his use of full-length poses in his portraits, creating a model used by future artists, such as François Clouet. His portrait Emperor Charles V with Hound (1532), currently resides in the Kunsthistorisches Museum Vienna. |
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Jakob Philipp Hackert -- Click Here
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German
1737-1807
Jakob Philipp Hackert Gallery |
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Jakob Emil Schindler -- Click Here
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Austrian Impressionist Painter, 1842-1892 |
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Jakob Alt -- Click Here
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1789-1872
Austrian
Jakob Wassermann was born on March 10, 1873, in Furth, the son of a Jewish merchant. After a childhood with many restrictions, he began his career as an office clerk, in Munich and then in Freiburg. In 1898 he moved to Vienna and eventually established himself as a writer. Derivative and imitative, Wassermanns novels showed from the outset a strong dependence upon Fyodor Dostoevsky - particularly in his fondness for the psychological probing of criminals and social outcasts - as well as the influence of the master of the romantic horror and detective story, E. T. A. Hoffmann.
Wassermanns first significant work is Die Juden von Zirndorf (1897, The Jews of Zirndorf), in which his deep knowledge of his own community in F??rth and Nuremberg stands him in good stead. As in many of his other works, Wassermanns preoccupation with innocence and redemption is here interleaved with a somewhat crass depiction of depravity and superstition. Der Moloch (1902) pays tribute to the contemporary literary cult of the great city (here Vienna), seen as an all-devouring monster of sin and perversion. Caspar Hauser (1908) is probably the authors best novel; the book, based on fact, deals with the case of the mute youth who appeared one day in 1828 on the streets of Nuremberg. Resemblances to Dostoevskys The Idiot may also be noted in this tale of the rejection and contamination of innate purity by corrupt society.
After Caspar Hauser Wassermanns novels and short stories become increasingly preoccupied with bizarre and perverse anecdotes and intrigue, often initially drawn from biography or the newspapers. Das Gansemannchen (1915; The Goose Man) illuminates the problem involved in simultaneous cohabitation with two wives. Christian Wahnschaffe (1919) exploits the theme of the rich mans son who rejects the world to turn toward Buddhism. Der Fall Maurizius (1928, The Mauritius Case) is a type of detective novel made colorful by excursions into hypnosis but also weighed down by a tedious mass of psychological dissection. Like Honor?? de Balzac, whom he imitated, Wassermann introduces the same characters into different novels; thus Etzel Andergast (1931) is a sequel to The Mauritius Case, and its hero, Joseph Kerkhoven, reappears in Joseph Kerkhovens dritte Existenz (1934, Joseph Kerkhovens Third Existence).
Wassermann is a somewhat uneven and labored writer, and he cannot in any sense be considered a stylist. His novels are often marred by diffuseness and miasmic obscurity. At the same time his extensive output is of considerable historical interest and illuminates rather well the consequences of marriage between the new depth psychology and the popular novel of sensation and crime. He died on Jan. 1, 1934, in Alt-Aussee. |
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Jaime Morera Galicia -- Click Here
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Spanish , 1854-1927
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Jaime Huguet -- Click Here
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1415-1492
French
Jaime Huguet Galleries |
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Jacques-Louis David -- Click Here
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Jacques-Louis David, France Neoclassicism painter, b.1748 - d.1835. |
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Jacques-Louis David -- Click Here
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French
b.Aug. 30, 1748, Paris
d.Dec. 29, 1825, Brussels
Jacques-Louis David is famous for his huge, dramatic canvasses of Napoleon and other historical figures, including Oath of the Horatii (1784), Death of Marat (1793) and The Sabine Women (1799). Early in his career he was a leader in the neoclassical movement; later his subjects became more modern and political. David was himself active in the French Revolution as a supporter of Robespierre and is sometimes called the chief propagandist for the Revolution; after the Reign of Terror ended he was briefly imprisoned for his actions. When Napoleon took power David became his court painter and created several grand canvasses of the Emperor, including the heroic Napoleon Bonaparte Crossing the Alps (1801) and the enormous Coronation of Napoleon and Josephine (1807). David also painted Napoleon in His Study (1812), with its famous image of Napoleon with one hand tucked inside his vest. After Napoleon ouster David went in exile to Brussels, where he remained until his 1825 death |
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Jacques-Laurent Agasse -- Click Here
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1767-1849
Swiss
Jacques-Laurent Agasse Galleries
(b Geneva, 24 March 1767; d London, 27 Dec 1849). English painter of Swiss birth. Born into a wealthy and politically influential Huguenot family, Agasse spent his early childhood at the country estate of Cravin, where he may have developed the interest in animals and natural history that was to guide his later career as an artist in England. Agasse trained first at the Ecole du Colibri in Geneva and subsequently in Paris under Jacques-Louis David (beginning in 1787) and possibly under Horace Vernet. His early artistic output consisted chiefly of unpretentious silhouette cut-outs in the style of Jean-Daniel Huber. At this time he also undertook a serious study of dissection and veterinary science. |
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Jacques Le Moyne de Morgues -- Click Here
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French painter, illustrator and explorer.
c.1533 -1588 |
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Jacques de Stella -- Click Here
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1596-1657
French
Jacques de Stella Gallery |
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Jacques de la Joue -- Click Here
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1687-1761
French
Jacques de la Joue Gallery |
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Jacques Charlier -- Click Here
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French Miniaturist, ca.1705-1790 |
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Jacques Bellange -- Click Here
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French Painter, ca.1575-1616 |
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Jacquemart de Hesdin -- Click Here
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French Gothic Era Miniaturist, ca.1350-1410 |
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Jacopo Vignali -- Click Here
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Italian painter who died on 03 August 1664 |
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Jacopo Torriti -- Click Here
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Italian painter, Roman school
active c. 1270-1300 |
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Jacopo Robusti Tintoretto -- Click Here
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1518-1594
Italian Tintoretto Galleries |
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Jacopo Pontormo -- Click Here
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Italian 1494-1557 Jacopo Pontormo Galleries |
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Jacopo Di Cione -- Click Here
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Italian Byzantine Style Painter, ca.1330-1398 |
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Jacopo di Arcangelo called jacopo del sellajo -- Click Here
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Florence 1441/2-1493 |
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JACOPO del SELLAIO -- Click Here
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Italian painter, Florentine school (1442-1493) |
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Jacopo del Casentino -- Click Here
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Italian Gothic Era Painter, ca.1297-1358 |
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Jacopo de Barbari -- Click Here
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active in Nuremberg 1500-1515/16 |
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Jacopo da Empoli -- Click Here
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1554-1640
Italian
Jacopo da Empoli Location |
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Jacopo Bellini -- Click Here
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active in Florence 1423-Venice 1470 |
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Jacopo Bassano -- Click Here
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Italian
c1510-1592
Jacopo Bassano Gallery
He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique. |
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Jacopo Amigoni -- Click Here
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1685-1752
Italian Jacopo Amigoni Galleries |
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Jacopino del Conte -- Click Here
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Italian Painter, ca.1510-1598 |
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Jacometto -- Click Here
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Italian Early Renaissance Painter, active 1472-1497 |
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Jacobus Vrel -- Click Here
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Dutch Baroque Era Painter, active ca.1654-1662 |
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Jacobus Hendrikus Maris -- Click Here
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Dutch Painter , 1837-1899
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JACOBSZ, Dirck -- Click Here
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Flemish Northern Renaissance Painter, ca.1497-1567 |
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JACOBELLO DEL FIORE -- Click Here
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Italian Early Renaissance Painter, 1370-1439 |
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Jacob Van Velsen -- Click Here
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delft before 1625-Amsterdam 1656 |
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Jacob van Ruisdael -- Click Here
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Dutch Baroque Era Painter, ca.1628-1682 |
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Jacob van Es -- Click Here
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Flemish Baroque Era Painter, 1596-1666 |
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Jacob Toorenvliet -- Click Here
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Dutch Baroque Era Painter ,
Leiden circa 1635-1719
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Jacob Smits -- Click Here
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1856-1928
German Jacob Smits Gallery |
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