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DOU, Gerrit -- Click Here
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Dutch Baroque Era Painter, 1613-1675
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Dosso Dossi -- Click Here
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1479-1542
Italian
Dosso Dossi Locations |
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DOSSI, Dosso -- Click Here
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Italian High Renaissance Painter, ca.1490-1542 |
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Dorfmeister, Istvan -- Click Here
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Hungarian Painter, ca.1729-1797 |
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Dora Carrington -- Click Here
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British Painter,
1893-1932 |
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Donatello -- Click Here
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Italian Early Renaissance Sculptor, 1386-1466 |
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Dominique Vivant Denon -- Click Here
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French, 1747-1825 |
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Dominic Serres -- Click Here
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British Painter, 1722-1793 |
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DOMENICO VENEZIANO -- Click Here
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Italian Early Renaissance Painter, ca.1400-1461
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Domenico Tintoretto -- Click Here
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Italian, 1560-1635 |
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Domenico Ghirlandaio -- Click Here
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Italian
1449-1494
Domenico Ghirlandaio Galleries |
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Domenico Fetti -- Click Here
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Italian painter ,
Rome 1589 - Venice 1623 |
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DOMENICO DI MICHELINO -- Click Here
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Italian painter, Florentine school (b. 1417, Firenze, d. 1491, Firenze)
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DOMENICO DI BARTOLO -- Click Here
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Italian Early Renaissance Painter, 1400-ca.1447 |
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DOMENICO DA TOLMEZZO -- Click Here
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Italian painter, Venetian school (b. ca. 1448, Friuli, d. 1507, Friuli)
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Domenico Brusasorci -- Click Here
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Italian High Renaissance Painter , Verona 1515 ca. - 1567 |
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Domenico Beccafumi -- Click Here
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c1486-1551
Domenico Beccafumi Gallery
Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century. |
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Domenicho Ghirlandaio -- Click Here
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Renaissance Artists , 1449-94 |
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Domenichino -- Click Here
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1581-1641
Italian
Domenichino Locations |
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DOLCI, Carlo -- Click Here
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Italian Baroque Era Painter, 1616-ca.1686 |
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DOBSON, William -- Click Here
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English Baroque Era Painter, ca.1611-1646 |
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Dixon, Maria -- Click Here
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American Painter, 19th Century |
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Dirck van Baburen -- Click Here
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b.c. 1595, Utrecht, Netherlands.
d.Feb. 21, 1624, Utrecht
Dutch
Dirck van Baburen Gallery |
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Dirck van Delen -- Click Here
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1604-1671
Dutch
Dirck van Delen Location |
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Dirck Hals -- Click Here
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Dutch
1591-1656
Dirck Hals Galleries |
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Dirck de Quade van Ravesteyn -- Click Here
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Flemish painter 1565-1620 |
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Dirck Bouts -- Click Here
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Haarlem ca 1420-Louvain 1475 |
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Dimitri Levitzky -- Click Here
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Ukrain portrait painter , 1735-1822 |
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DIJCK, Floris Claesz van -- Click Here
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Dutch Baroque Era Painter, 1575-1651 |
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Dieric Bouts -- Click Here
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1420-1475 Flemish Dieric Bouts Locations
Dirk Bouts whose real name was Theodorik Romboutszoon, was probably born in Haarlem, where he may have studied under the painter Albert van Ouwater. Sometime before 1450 Bouts took up residence in the Flemish city of Louvain. His name appeared in the records of Louvain in 1457 and again in 1468, when he was appointed "city painter."
It is likely that Bouts spent some time in Bruges, as his earliest work, the Infancy Altarpiece shows the distinct and strong influence of Petrus Christus, the leading master of that city after the death of Jan van Eyck. The slightly later Deposition Altarpiece (ca. 1450) displays strong connections with the style of Rogier van der Weyden in both the figure types and the composition. About 1460, the period of the Entombment in London, the early, formative influence of Petrus Christus had been almost totally displaced by that of Rogier, though Bouts personal vision began to emerge in the fluid and continuous landscape background.
The great Last Supper Altarpiece (1464-1467) marks the high point of Bouts career. In this solemn and dignified masterpiece the painter achieved spiritual grandeur in the context of convincing physical reality. The central panel of the altarpiece is the most emphatically significant treatment of the theme of the Last Supper in Northern European art. The wings, which contain Old Testament prefigurations of the central theme, are freer and more loosely organized. Eschewing the symmetry and rigid axial construction of the main panel, Bouts produced rhythmic foreground compositions in combination with fluid and dramatic spatial recessions.
In 1468 Bouts was commissioned to paint four panels on the subject of justice for the Town Hall of Louvain. At the painter death in 1475 only two of the paintings had been completed; they are among the most remarkable productions of his career. The unusual subjects, taken from the chronicles of a 12th-century historian, concern the wrongful execution by Emperor Otto III of one of his counts and the subsequent vindication of the nobleman by his wife. The finer of the panels represents the dramatic trial by fire which the wife was obliged to undergo to prove her husband innocence. Rich draperies and sumptuous colors are applied to tall angular forms to create a work of rare formal elegance and high decorative appeal. In order to dignify the event, however, the artist has employed restrained gestures and expressions as well as a completely rationalized spatial setting. As in the Last Supper Altarpiece, a sense of solemn and hieratic importance is expressed by means of an austere and rigid geometry in the construction of both persons and places.
The late productions of Bouts workshop, such as the well-known Pearl of Brabant Altarpiece, are characterized by the close collaboration of the painter two sons, Dirk the Younger (1448-1491) and Aelbrecht (1455/1460-1549). In the paintings of his less gifted sons, the master distinctive figure style was appreciably altered, though Dirk the Younger appears to have retained much of his father sensitivity to the landscape.
In addition to his innovations in the depiction of landscape, Bouts made a substantial contribution to the development of the portrait. His Portrait of a Man (1462) localizes the sitter in an enlarged architectural setting while permitting the interior space to merge with the exterior through an open window. For the first time in Northern painting a common bond was forged between a particularized individual and the universal world of nature. |
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Diepraam, Abraham -- Click Here
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Dutch Baroque Era Painter, ca.1622-1670 |
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Diego Velazquez -- Click Here
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet |
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Dickinson, Preston -- Click Here
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American Precisionist Painter, 1891-1930 |
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DIANA, Benedetto -- Click Here
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Italian painter, Venetian school (known 1482-1525 in Venice)
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DERUET, Claude -- Click Here
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French Baroque Era Painter, 1588-1660 |
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Denys Van Alsloot -- Click Here
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Malines 1570-Brussels 1628 |
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Dennis Miller Bunker -- Click Here
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1861-1890
Dennis Miller Bunker Gallery |
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Demuth, Charles -- Click Here
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American Precisionist Painter, 1883-1935 |
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Demont-Breton Virginie -- Click Here
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French Painter ,1859-Wissant 1935
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Demetrio Cosola -- Click Here
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San Sebastiano,Po 1851-1895 Chivasso
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DELEN, Dirck van -- Click Here
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Dutch painter (1604/5-1671) |
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Delannoy jules Charles -- Click Here
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Bethune
1852-1925
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Delacroix Auguste -- Click Here
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French , 1809-1868
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Defendente Ferarri -- Click Here
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Italian Painter, ca.1490-1535 |
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Deas Charles -- Click Here
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American Painter
1818-1867 |
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Deak-Ebner, Lajos -- Click Here
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Hungarian Painter, 1850-1934 |
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De Winter Pharaon -- Click Here
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French realist painter , 1849-Little 1924
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De Braekeleer Adrien -- Click Here
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Belgian , 1818-1904
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Davies Arthur Bowen -- Click Here
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American Symbolist Painter, printmaker and tapestry designer , b.1862 d.1928
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David, Jacques-Louis -- Click Here
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French Neoclassical Painter, 1748-1825 |
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DAVID, Gerard -- Click Here
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Netherlandish Northern Renaissance Painter, ca.1460-1523 |
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David Vinckboons -- Click Here
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Flemish Baroque Era Painter, 1576-ca.1632 |
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David Ryckaert -- Click Here
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Flemish Baroque Era Painter, 1612-1661 |
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David Octavius Hill -- Click Here
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Scottish Painter and Photographer,
1802-1870 |
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David Klocker Ehrenstrahl -- Click Here
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German, 1629-1698 |
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David Johnson -- Click Here
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American Landscape painter.
b.1827 d.1908
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david farquharson,r.a.,a.r.s.a.,r.s.w -- Click Here
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1840-1907
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David Cox -- Click Here
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David Cox [English Painter, 1783-1859] |
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Daret, Jean -- Click Here
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Flemish Baroque Era Painter, 1613-1668 |
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DARET, Jacques -- Click Here
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Netherlandish Northern Renaissance Painter, ca.1404-1470
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Dante Gabriel Rossetti -- Click Here
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English Pre-Raphaelite Painter, 1828-1882 |
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Daniele Da Volterra -- Click Here
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Italian Mannerist Painter and Sculptor, 1509-1566 |
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Daniel van Heil -- Click Here
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1604-1662
Flemish
Daniel van Heil Galleries
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Daniel Seghers -- Click Here
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Flemish Baroque Era Painter, 1590-1661 |
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Daniel Ridgeway Knight -- Click Here
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1839-1924
Daniel Ridgeway Knight Gallery |
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Daniel Chester French -- Click Here
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American Neoclassical Sculptor, 1850-1931 |
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Dandini, Cesare -- Click Here
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Italian Baroque Era Painter, 1595-1658 |
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