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Joseph Van Bredael -- Click Here Flemish , 1688-1739

Joseph Blackburn -- Click Here English-born American Rococo Era Painter, ca.1700-1780

Joseph Bidauld -- Click Here Carpentras(Vaucluse)1758-Montmorency (Val d'Oise)1846

Joseph Benoit Suvee -- Click Here 1747-1807 French Joseph Benoit Suvee Gallery

Jose Tapiro y Bara -- Click Here 1830 - 1913

John wharlton bunney -- Click Here 1828-1882

John W.Beatty -- Click Here 1851-1924

John Samuel Blunt -- Click Here b.Portsmouth 1798 d.At Sea 1835

John O Brien Inman -- Click Here American, 1828-1896

John Liston Byam Shaw -- Click Here 1872-1919

John Leslie Breck -- Click Here 1860-1899

John H F Bacon -- Click Here b. 1740, London, d. 1799, London

John George Brown -- Click Here 1831-1913 John George Brown Galleries

John Edward Brett -- Click Here 1830-1902 English

John Burr -- Click Here Scottish, 1831-1893

John brett,ARA -- Click Here 1830-1902

John brett,a.r.a -- Click Here 1830-1902

John Boyne -- Click Here British 1750-1810

John Boultbee -- Click Here British , 1753-1812

John Bauer -- Click Here June 4, 1882 ?C November 20, 1918

John Ballantyne -- Click Here British Portrait painter , (1815-1897)

Johann Jakob Biedermann -- Click Here b Winterthur, 7 Oct 1763; d Aussersihl, Schwyz, 10 April 1830

Johann Barthold Jongkind -- Click Here 1819-1891 Dutch Johann Barthold Jongkind Gallery

Johan Barthold Jongkind -- Click Here Dutch Impressionist Painter, 1819-1891

Job Berckhyde -- Click Here 1630-1693 Dutch Job Berckhyde Gallery

Job Berckheyde -- Click Here Dutch Baroque Era Painter, 1630-1693

Joaquin Sorolla Y Bastida -- Click Here Spanish Realist/Impressionist Painter , 1863-1923

Joachim Beuckelaer -- Click Here 1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.

Jerry Barrett -- Click Here 1824-1906

Jerome B Thompson -- Click Here American Impressionist , 1814-1886

jean-Baptiste-Simeon Chardin -- Click Here 1699-1779

Jean-Baptiste Van Mour -- Click Here 17th Century Painters of the Bosporus

Jean-Baptiste Santerre -- Click Here French Baroque Era Painter, 1651-1717

Jean-Baptiste Peronneau -- Click Here French, 1715-1783

Jean-Baptiste marie pierre -- Click Here French Painter , b. 1713, Paris, d. 1789, Paris

Jean-Baptiste Le Prince -- Click Here French Painter, 1734-1781

Jean-Baptiste Jouvenet -- Click Here 1644-1717 French Jean Baptiste Jouvenet Galleries

Jean-Baptiste Huysmans -- Click Here Flemish 1654-1716

Jean-Baptiste Hilair -- Click Here French, 1753-1822

Jean-Baptiste Greuze -- Click Here French Rococo Era Painter, 1725-1805

Jean-Baptiste Deshays -- Click Here French Baroque Era Painter, 1729-1765

Jean-Baptiste Corot -- Click Here 1796-1875

Jean de Beaumetz -- Click Here Artois,active from 1361-Dijon 1396

Jean Broc -- Click Here 1771-1850 French French painter and designer. He came from a family of shopkeepers and tailors and he served in the Republican army during the wars of the Vendee. By 1798 he was a student of Jacques-Louis David, who provided a small apartment in the Louvre where Broc often lived. With a group of David students and some writers, Broc formed a dissenting sect called LES PRIMITIFS, Barbus (bearded ones), Meditateurs or Penseurs. Broc was typical of the Primitifs in finding inspiration in Greek vase painting and Italian 15th-century art.

Jean Beraud -- Click Here 1848-1935 French Jean Beraud Galleries Berauds father (also called Jean) was a sculptor and was likely working on the site of St. Isaacs Cathedral at the time of his sons birth. Berauds mother was one Genevieve Eugenie Jacquin; following the death of Beraudes father the family moved to Paris. B??raud was in the process of being educated as a lawyer until the occupation of Paris during the Franco-Prussian war in 1870. Beraud became a student of Leon Bonnat, and exhibited his paintings at the Salon for the first time in 1872, however he only gained recognition in 1876, with his On the Way Back from the Funeral. He exhibited with the Society of French Watercolorists at the 1889 Worldes Fair in Paris. He painted many scenes of Parisian daily life during the Belle epoque, in a style that stands somewhere between the academic art of the Salon and that of the Impressionists. He received the Legion d honneur in 1894. Berauds paintings often included truth based humour and mockery of late 19th century Parisian life. Along with frequent appearances of biblical characters in then contemporary situations. Paintings such as Mary Magdalene in the House of the Pharisees aroused controversy when exhibited because of these themes. Towards the end of the 19th century Beraud dedicated less time to his own painting, but worked in numerous exhibition committees including the Salon de la Societe Nationale. Beraud never married and has no children, he is buried in Montparnasse Cemetery beside his mother.

Jean Barbault -- Click Here French Painter, 1718-1762

Jean Baptiste Weenix -- Click Here 1621-1660 Dutch

Jean Baptiste van Loo -- Click Here Flemish Painter, 1684-1745

Jean Baptiste Simeon Chardin -- Click Here 1699-1779 French Jean Baptiste Simeon Chardin Locations Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Acad??mie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Acad??mie Royale de Peinture et de Sculpture. The following year he ceded his position in the Acad??mie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn??s, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn??s had died as well. The Ray, 1728, Mus??e du Louvre, Paris.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a dedicated academician, regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Ang??lique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin work. Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of replicas of previous works. In 1763 his services to the Acad??mie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Acad??mie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.[8] By 1770 Chardin was the Premiere peintre du roi, and his pension of 1,400 livres was the highest in the Academy. In 1772 Chardin son, also a painter, drowned in Venice, a probable suicide. The artist last known oil painting was dated 1776; his final Salon participation was in 1779, and featured several pastel studies. Gravely ill by November of that year, he died in Paris on December 6, at the age of 80.

Jean Baptiste Oudry -- Click Here French Baroque Era Painter, 1686-1755

Jean Baptiste Isabey -- Click Here French Painter, 1767-1855

Jean Baptiste Greuze -- Click Here 1725-1805 French Jean Baptiste Greuze Galleries

Jean Baptiste Camille Corot -- Click Here 1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

Jean - Baptiste Carpeaux -- Click Here French Realist Sculptor, 1827-1875.

Jan van Bijlert -- Click Here Dutch Baroque Era Painter, ca.1597-1671

Jan Dirksz Both -- Click Here Dutch 1610-1652 Jan Dirksz Both (between 1610 and 1618, Utrecht - Aug 9 1652, Utrecht), brother of Andries Both, was a Dutch painter. From 1634 to 1637 he was taught by Bloemaert and the painter Gerard van Honthorst before travelling to Rome ca. 1637. There he met the French painter Claude Lorrain, with whom he collaborated on a series of landscape paintings. His landscapes are typically peopled by peasants driving cattle or travellers gazing on Roman ruins in the light of the evening sun The everyday life of the streets of Rome became a favourite theme in his works. On his return to Utrecht after the death of his brother in 1642, he stopped producing genre pieces and focused instead on pictures of Italian landscapes bathed in a warm, golden light. This theme was adopted by several other Dutch painters, the Italianites.

Jan de Bray -- Click Here 1627-1697 Dutch Painter, draughtsman and etcher, son of (1) Salomon de Bray. He spent virtually the whole of his career in Haarlem, except for the period 1686-8, when he lived in Amsterdam. After training with his father, Jan began working as a portrait painter in Haarlem in 1650, an activity he continued for the next 40 years. Between 1667 and 1684 he served on the committee for the Haarlem Guild of St Luke, whose leading members he portrayed in a picture dated 1675 (Amsterdam, Rijksmus.) that includes a self-portrait (Jan is seen standing and drawing on the left). He married three times, in 1668, 1670 and 1672. His first two wives died a year after their marriage, his third two years afterwards, and in each case the death was followed by disputes over the inheritance. Jan bankruptcy of 1689 may have been a result of one of the lawsuits. He was 62 at the time, and from then onwards he seems to have lost his artistic drive, crushed by the financial blow and the consequent loss of social position.

Jan Brueghel The Elder -- Click Here Flemish Baroque Era Painter, 1568-1625

Jan Brueghel -- Click Here 1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

Jan Baptiste Vanmour -- Click Here 1671-1737

James Edward Buttersworth -- Click Here American Painter, 1817-1894

James Barry -- Click Here b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery was born on 9th November at Captain Lieutenant Bouchiers quarters at the Old Train Barrack Yard in Ann Street, Belfast, Co. Antrim in the north of Ireland. Although Barry lived his adult life as a man, his true gender is unknown. It is widely accepted that Barry was a woman who chose to live as a man so that he might be accepted as a university student and be able to pursue his chosen career as a surgeon.

James Barenger -- Click Here English Painter, 1780-1831

James Bard -- Click Here 1815-1897

James Baker Pyne -- Click Here English Painter, 1800-1870

Jakob Bogdani -- Click Here 1660-1724

Jacques Bellange -- Click Here French Painter, ca.1575-1616

Jacopo de Barbari -- Click Here active in Nuremberg 1500-1515/16

Jacopo Bellini -- Click Here active in Florence 1423-Venice 1470

Jacopo Bassano -- Click Here Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.

Hugo Briger -- Click Here 1854-1887

Hugo Birger -- Click Here Swedish, 1854-1887 Swedish painter. He studied at the Konstakademi in Stockholm from 1871 to 1877. In 1877 he went to Paris and then spent the summer of 1878 at Barbizon with Carl Larsson, among others. There he painted several spontaneous plein-air paintings, such as Rue Gabrielle (1879; Goteborg, Kstmus.), in which the grey tones are contrasted realistically with exquisite colours. He also painted scenes of Parisian life, such as The Toilette (1880; two sketches in Stockholm, Nmus.), which aroused the interest of his contemporaries when it was exhibited at the Salon that year. Birger art was always conventional in style, allied to French salon painting. He was a master of technique and a brilliant subject painter, creating such scenes as In the Bower (c. 1880; Stockholm, Nmus.).

Hugh Henry Breckenridge -- Click Here 1870-1937 Hugh Henry Breckenridge Galleries

Hugh Bolton Jones -- Click Here American Painter, 1848-1927

Hippolyte Berteaux -- Click Here (1843 - 1928)

Hildegard of Bingen -- Click Here 1098-1179

Hieronymus Bosch -- Click Here Netherlandish Northern Renaissance Painter, ca.1450-1516

Heronymus Bosch -- Click Here Bois-le-Duc ca 1450-1516

Henry Perronet Briggs -- Click Here British Painter, ca.1791-1844

Henry George Hine,RI -- Click Here 1811-1895