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The Desperate Woman The Defense of Cadiz Against the English A View of a Mosque at Mounheer Maner Luton Diana departing for the Hunt,fireplace The Place des Pyramides Longwood Guards on Maneuvers Saint Matthew and the Angel The clown playing Guitar Portrait of a One-Eyed Man -nn04-. Clifford Warren Ashley St Paul at his Writing-Desk Bolungavik The Queen of Sheba Before Solomon Ridgway Discovery and Proof of the True Cross View of Monte Video, Seat of Daniel japonaiserie-Flowering Plum Tree -nn04- Frans Jansz van Mierisi Madonna del Cardellino ert Portrait of Ottavio Farnese The Old Mill Card players quarrelling Loznica Violent Pain Gare Saint-Lazare -nn02- Anaktuvukpass Christ Healing the Blind df John Macallan Swan The Chateau de Medan Antonio Carnicero Alexander and Porus -05- Ester Coco Playing Variumati -07- Epitaph for johann Emanuel Bremer -10- Franz Xaver Winterhalter Dejeuner sur l-herbe-The Picnic- Dobroste
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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