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Portrait of Paul Guillaume - Novo Pilota Woman Leaning on the Back of a Chair -st Le Massage scene de hammam -32- Agony in the Garden -detail- sg Molly Longlegs with Jockey Vincenzo Irolli msn Duke of Alba. Landscape with Animals Indian Boy St.Benedict-s Supper Details of The Execution of Maximilian LISS, Johann Jan Baptiste Vanmour large framed art Lettre avec un escargot sur une feuille A Rally -46- Las Meninas -08- Moose Kisling Foxhounds in a Landscape Girl Sewing The Procession of Bacchus Suzanne Valadon The Massacre of the Innocent Landscape at Chaponval The Rider on the Black Horse -37- Still-Life with Pipe an Jug The Nativity wall moulding Aspen St Sylvester Sealing thte Dragon-s Mouth Diana and Acteon s Dessert Still-Life fdg Santiago de Compostella The Sense of Taste Bar Allegory of Fertility -Homage to Pomona- Self-Portrait Bringing Home the New Cook Madonna and Child
Rupert Bunny:
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.








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