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Madonna in Glory with Saints Vu a travers les arcades de la basilique Casagrande The Annunciation -detail- fdg Three Stories from the Life of St.Benedi Three Studies of a Lady with a Hat The Still life on the table The Parsonage Garden at Nuenen -nn04- Poplargrove A game still life of a hung hare,a brace Christ -45- Mater Dolorosa -with clasped hands- wt The Life of a Hunter-A Tight Fix Madonna with two Angels An extensive river landscape with drover Details of the Virgin Annunciat St Dominic st Seascape with a Shipwreck Portrait of a Goldsmith -Man with Ring- Cottondale The Artist-s Father Girl Eating an Apple sg Portrait of jami leaning on a staff,with Deutschlandsberg Charon Crossing the Styx Portrait of Count Georg von Lowenstein a Martyrdom of Four Saints,detail Duet ar A Lady at the Virginals with a Gentleman OOST, Jacob van, the Elder Still Life with Irises Eisenstadt Sevastopor Biglake heavenly creature Madonna and Child with Six Angels dfg The Last Evening -nn01- Autumn in North America Subate Epitaphios -The Shroud of Christ- -19-
Arthur streeton:
1867 - 1943 Australian painter. He moved to Melbourne with his family when he was seven. In 1882 he enrolled as a student of drawing at the evening classes of the National Gallery School of Design and briefly in the School of Painting, but he had no sustained formal instruction in painting. At the same time he began making watercolour sketches of Melbourne, and by 1886 his skill led to an apprenticeship as a lithographer to George Troedel and Co. of Collins Street. The most important early influence on Streeton was Tom Roberts, who had returned to Melbourne from Europe in 1885. With Frederick McCubbin, Streeton and Roberts painted en plein air at a temporary camp at Box Hill, forming what became known as the HEIDELBERG SCHOOL. A little later Streeton established the first permanent artists' camp at Eaglemont, north-west of Melbourne, overlooking the Yarra Valley, where he painted some of his most memorable works. 'Still glides the stream and shall forever glide'








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