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Blackshear jean-francois millet acronis true image The Music -35- Domenico Ghirlandaio Grand Canal- The Rialto Bridge from the Eastdubuque Southbarrington impressionism landscape Liberty Old Woman dressed in a fur coat and hat america comes havemeyers impressionism The Christ Child crowns the Duke Mts'khet'a Bilbao Wheatley Mona Lisa -detail- r y Greek Girls Picking Up Pebbles by the Se John Neagle Light Self Portrait Photographie d-apres le tableau,Le repos Robert Cheseman sg Lauderhill Tamaca Palms Triumph of Bacchus and Ariadne Portrait of a Gentlewoman View of the Thames -nn02- animation art design fine graphic motion Glenvarheights The Lying in State of St.Bonaventura sketch MOLA, Pier Francesco Robinson picture The Bridge at Maincy,near Melun War News From Mexico Gateway to Dalby at Skane Desoto Atkins
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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