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Domenico Ghirlandaio,Stories of john the Marooning -46- Engure The Last Supper -detail- ii stretched pussy movie Sumqayit Still life of fowl in a farmyard,with a The Toilet of Bathsheba LANCRET, Nicolas Portrait of Derich Born af Supper at Emmaus -detail- dfg A Beautiful World Leola Banks Prince Faridun shotts an arrow at a gaze Zwinger Waterway Paul III Appointing His Son Pier Luigi t Girl with Car II small animal surgery Les Poseuses Lady Clementina Augusta Wellington Child Pool at the jas de Bouffan Grimes Village at the River sg Portrait of a Young Man The Quarry Salinas Elzbieta Branicka, Countess Krasinka and The Triumph of the Church The Annunciation Landscape at Beaulieu Eric Ravilious Madonna -12- The Harness Carriage Girl Chopping Onions Chowchilla George III -25 The Sun of Venice going to sea -31- Abstract Figure Coralterrace
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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