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Mary, Countess of Howe sd Mars and Venus Surprised by Vulcan Two Lady friend Volterra -11- The Presentation of the Ring fdhfd Portrait of Oswolt Krel Remington Nicholls Sowing New Seed The Gypsy Girl Crucifix ioui Thatched Cottages -nn04- T'bilisi Merry Company Portrait of Lionello d-Este -08- Olive Grove -nn04- turkey Head of a Young Man g The Shipwreck Vegetable Market in Amsterdam Farmers Nooning A Shower in Granada Poppy Field -20- Indianheights Portrait of Dona Isbel de Porcel The Trumpeter Swan The Dream of Ossian -04- The Old Convalescents Predigt Johannes des Taufers Golden Sands Mikhail Vrubel Adam and Eve after Expulsion from Eden - The Ford ar The Adoration of the Magi Louis-Leopold Boilly Westhaven Landscape near Scarborough MIERIS, Willem van Bull-Hunting My First Sermon
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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