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Portrait of Mrs Edmond Khnopff ANGUISSOLA Sofonisba Nardo, Mariotto diNM Westpark Comtesse de la Chatre Anton Raffael Mengs Sitges Autumn Landscape Irises Flora gs Golgotha-copy after Veronese- Capriccio- The Ponte della Pescaria and Scene on the Magdalena Portrait of Cardinal Agucchi sw Self-Portrait at an Easel Painting an Ol The Normandy Cider Press The Princess Sabra Led to the Dragon Portrait d-une jeune Nord-Africaine -32- St Charles Borromeo Buckwheat Harvesters at Pont-Aven And They Still Say Fish Is Dear Pomona and Vertumnus ty Landscape w-Animals Adoration of the Child Aldora Lake The Poor Schoolboy Interior of a Church CECCO DEL CARAVAGGIO Bonaparte Visiting the Plague-Stricken a Samoset Frederick Arthur Bridgman The Roses of Heliogabalus Danielsville Beach of Valencia by Morning Light -nn02 Deerfield Goldfish The Song Peddler Felix de vuillefroy Lot and his Daughters dfh
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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