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Madame boucher Peruga Our Banner in the Sky The Feast of Venus -01- Miracle of the Grain Trough Pingreegrove ball steel stretcher Dido Building Carthage art big book from impressionism little p Nevermore, O Tahiti Juan de Flandes sanfrancisco Skating at Carnival Breton Peasants The view watched from balcony Louis Joseph Anthonissen Whiby,Yorkshire -31- Southdaytona Belshazzar-s Feast Nativity with Sts Lawrence and Andrew kk Sir Brian Tuke af icon image love myspace Miss Wedgewood and Miss Sargent Sketchin The Desert Prospector -43- Jessheim MICHELI Parrasio In the Black Country Holy Family in a Flower - Fruit Wreath Haying, Conway Meadows Battle between Heraclius and Chosroes photo shop brush Portrait of the Artist-s Mother -nn04- Echo and Narcissus landscape scottish Cornelis Ploos van Amstel dfgh The milkmaid -30- Valparaiso Death and Life -20- King Clotaire I Commissioning St.Eligius Ships at Sea
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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