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Two Singing Boys -08- Reading the Will Waipio A Flower Stall -41- Sumner The Family of Henry VIII -25- Portrait of a Venetian Man af Dolce Far Niente Charles de La Rochefoucauld Count of Ran The Meeting of Anthony and Cleopatra An allegory of envy Bringing Down Marble from the Quarries t Milner Holyday -The Picnic- -nn01- Nude -nn03- discount The Betrothal Immaculate Conception sg The Calf-s Adore The Nativity _2 Benton Nude Study Le Moulin de la Galette -nn04- Dahlias Frederick Coffay Yohn Wausau Lamp Baby at Play The End of the Luncheon reproduction of thomas kinkade oil paint Glacier Streams-The Simplon -18- Two Boats -17- Bilacari The Virgin in Glory Surrounded by Angels Villagers Merrymaking at an Inn Madonna and Child St Augustine in his Study St George and the Dragon st Portrait of the Artist-s Seated,Holding Maalaea
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..








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