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Apollo and Marsyas Yves Gobillard-Morisot Portrait of rembrandt s father,head and Dalycit The Portrait of Alzheimer Chebyshev Avalanche in the Grisons -10- Portrait of a Woman with a Still Life by Realistic Violet Water Lily Naval Battle Between the United States a Georges Lemmen Brown eyes and a Blue Flower Virgo inter Virgines The Fortune Teller -05- The Dancer Moa -12- GARCIA, Pere Drovers returning in a storm Landscape with Obelisk Panorama View of Dunes and a River g Mt Tamalpais -42- Francesco Salviati Cain and Abel Varnell The Confession Portrait of a Man with a Medal The Fortune Tellers Aksaray Madonna and Child Enthroned with Two Ang Ballet at the Paris Opera The State Barge Saluted by the Home Flee La Villa Medicis a Rome -deux hommes a l Woman Bathing in a Stream Details of The Execution of Maximilian The Hummingbirds and Two Varieties of Or world of moulding large framed mirror Landscape with a goatherd and goats Vigilius Erichsen pestrel Ivalo Mechanism element
Stettheimer Florine:
American Painter, 1871-1944 was an American artist. She has been described as "a Deco-influenced early Modernist who??s never really gotten her due". Stettheimer was born in Rochester, New York to a wealthy family. She spent much of her early life traveling, studying art in Italy, Spain, France, Germany, and Switzerland. She studied for three years in the mid-1890s at the Art Students League in New York, but came into her own artistically upon her permanent return to New York after the start of World War I. In October 1916, the only one-person exhibition of her work during her lifetime took place at New York's Knoedler & Company. She exhibited 12 "high-keyed, decorative paintings", none of which were sold. Cushioned by family resources, Stettheimer refrained from self-promotion and considered her painting "an entirely private pursuit". She intended to have her works destroyed after her death, a wish defied by her sister Henrietta, her executor. Stettheimer's privileged position pervades her work. As one critic has written, "money she regarded as a birthright, decidedly not something to be flaunted in the shape of a dozen yachts, but rather to be used as a palliative against the more unpleasant aspects of the world outside








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