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Garten am Thuner See In the Studio Corner Moundstation Aeneas Carrying Anchises sg abc.com the view La Benediction des bles en Artois Frederiksberg and Kobenhavn An elegant interior with a lady and gent The Tightrope Walker Landscape with a Bird-Catcher -05- Medusa Portrait de Georges Clairin Alexander Davis cooper Holbrook The Marauders -05- Portrait of a Young Man w5 unfinished wood picture frame Reptiles,Butterflies,and Plants at the B Hugh Ramsay Yampa Old Models RICCI, Marco carpet stretcher Stories of Lucretia Hartfordcity Delrey The Pic-Nic The Oyster Lunch -nn03- Deposition Luca Giordano Kensington exotic animal Still-Life with Hunting Equipment and De Mountains seen from l-Estaque Cup newspaper and winebottle Westpalmbeach Female bather Mount Corcoran Bilacari William Henry Shelton
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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