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Detail from Christ Giving the Keys to Sa Symbolism Sunset Landscape with a Sbepberd and his Alessandro Filipepe called botticelli Underwater Vision The Letter -25 Portrait of the earl and countess of der Caserta painting masterpiece Details of The Raft of the Medusa Bostwick St Agnes gyt The Fall Abstract Figure Self-Portrait with Straw Hat and Pipe -n Portrait of Doctor Gachet -nn04- Belsbazzar-s Feast -33- timber frame service animal Gold Fish -20- Alfred Chauchard Alexander Roslin The Girl in front of Rug Jerome in the Desert -05- Church in Marnau Umberto Boccioni Arno in Florence. Painters JanVermeer Harvest A Young girl in a state of undress,weari Seated Woman and Plants -17- Joniskis Woman washing dishes Guitar winebottle and cup Norfork Inn Scene ag Girl Reading a Letter at an Open Window The Grief of the Pasha The Virgin - Child Surrounded by Four An
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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