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Westpalmbeach Silale Mosca The Supper at Emmaus Poppyseed Cake Thomas Jefferson New hampshire Strasburg The Wedding at Cana Still Life with Melon and Pears designer eyeglass frame are the Panorama du palais et des jardins de Ver Market Scene Hl.Hieronymus Three Women of Provincetown Hazelcrest Lagodekhi Portrait of a Young Woman-p Portrait of a Man11 The Last Judgement -detail- rdgt The Calling of St.Matthew Nude St Jerome af Death of the Heretic on the Bonfire af adult photo Vocation of St Matthew -detail- -df01- Racing boat Lemoore Cudjoekey Stories of Joseph dsss St. Martin Zorn and His Wife The Annunciation to the Virgin The Portrait of father Unconscious of Danger Westsamoset Wamac Housealtar of Count William II of Hessen Paris Street
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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