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Stanton which is The Poor Man s Store Deerstalking San Francisco Still life wtih Basket of Apples -nn04- Diana and her Companions In Small and Secluded Convents Stefano Torelli Two Milliners Rue du Caire -09- Portrait of Robert Arnauld d-Andilly The Tuscan General Alessandro del Borro abstract photo Mellen, Mary Blood Assumption of Mary khj Sketch for Paradise in the Sala del Magg Corovode american absract expressionism chair rail moulding The Blind Fiddler Blue and White-before 1904- Portrait of Amelia van Buren Virgin and Child with St Anne and St Joh desktop icon Concer Details of he Departure of the Doge on A Emotion The Muses in the Sacred Wood Details of The Little Garden of Paradise Walnutpark Victoria and Albert Museum Afternoon Rest, Siesta The Trumpeter Swan Westcollegecorner Tulip Fields with Windmill Landscape with the Gathering of the Ashe Puvis Lakewoodpark Water Mill at Kollen near Nuenen -nn04- John Skinner Prout
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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