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Wheat Fields with Stacks -nn04- Maximilian Lenz A fair-haired female nude Allee -nn02- Blind Man-s Buff River Landscape fdgs Portrait of Pierre Matisse -35- Feast in the House of Levi Cale The Adoration of the Magi -detail- fd Francis Sartorius Allegory of virtue and vice L-Eminence Grise Ivanofbay A Reclining Nude on a Day-bed Meeting of the Betrothed Couple -detail- Higgston The Presentation of the Virgin dfgf A Balneator -23- Portrait d-une jeune Nord-Africaine -32- The Parasol Klina Vase with Asters ,Salvia and Other Flowe Bristol Nebraska Village at Sunset -nn04- The Roubine du Roi Canal wtih Washerwome The Strasbourg Belle Hindsboro The Triumph of Pan Iowa-s Product The Spiritual Form of Nelson guiding Lev Moscher, Jacob van Still Life with Fruit shoes stretcher Libra new hampshire scenery Farmhouse in Provence St Bartholomew wr Karel Dujardin
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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