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Portrait of a Woman Rainstorm over the sea Conrad Martens Warrensburg Kiruna Christ and the Christian Soul -df01- Taufe Christ The Prophets Muhammad and Moses bradford new oil painting york Reclining Nude with Loose Hair -39- Clement Marot Perspective view Bonanza Jean-Baptiste Deshays Ville d-Avray The Pond and the Cabassud Gabrielle with Rose Lemongrove Winter Landscape Crucifixion fddffd Laid Table Hawaii The Gleaners The Breakfast -08- Portrait of Giovanni II Bentivoglio Dorofield Hardy Kasimir Malevich MEMMI, Lippo Walt Louderback Arkansascity Flowers and Fruit on a Table Actors from a French Theatre -Detail- Girl and Golden Hat Mercury piping to Argus The Landing at Marseilles -05- Portrait of Rosalba Peale The Miraculous Draught of Fishes -08- Charles Green,RI St.Michael 02 Dancing Party Mast-Tree Grove
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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