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Taivalkoski Branch Hill Pond,Hampstead Heath with a Serenity Union City Portrait of Giovanni Arnolfini and his W Domenicho Ghirlandaio Spain Succoring Religion Costume Ball at the Tuileries Palace St.Cecilia Allegory vincent van gogh picture Varde An Allegory of the Nizhni-Novgorod Fair Innsbruck icon health and fitness Korosten Benton Lady Caroline Capel Holding her Daughter Grena Anacreon fantasy landscape Cano, Alonso Coffee HOLBEIN, Hans the Elder Wildomar farm scenery Self-Portrait with Worker near the Steam Madonna and Child with an Angel Farmhouse in Upper Austria -20- Portrait of a Woman sty Coming to the Call -43- Your Britain,Fight of it Now The Blue Boat -44- Barnaba Da Modena The French Window Animal Study dd Christ Discovered in the Temple Odri The Irish Famine Venus Combing Cupid-s Hair
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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