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La Loge Garcon au gilet rouge Springhouse history of impressionism Tommaso Ruiz Infanta Margarita -df01- scenery travel Landscape of Cagnes Irises The Madness of Dona juana Rome- Ruins of the Forum, Looking toward ambulance stretcher Madame Recamier Philippe de Momper The Transfer of the Holy House of Loreto Madonna and Child eh The Triumphs of Caesar -25- The Holy Family fdg Cantrall Jean Malouel Despair Boulevard Zubov in Winter Exterior of the church f Jesus among the Doctors in the Temple Fenwick Capilla del Milagro,Convent of Descalzas Al Ridotto -21- View in Pittsford, Vt. Saul and the Witch of Endor art fine joel Sardis The Three Graces dg Portrait of Doctor Gacher -09- The Windmill at Wijk bij Duurstede bizarre creature dangerous inside most n Musical Party in a Courtyard sg Green Umbrella Hans Memling Tug the racing boat Stories of Lucretia
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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