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Valfevo Bathers When the hore team came to Walhalla The Happiness of the Regency -05- A Convalescent Melodyhill Gypsy with a Mandolin Vase with Carnation and Roses and a Bott Highlandbeach Birch Grove -nn02- Equestrain Portrait of Charles I Fruhstuch in Grunen Kiev Hugo Johann kupetzky Henri Regnault The Ridotto sg August Blue Yucca Landscape at Sunrise -05- The Scout - Friends or Enemies The Archangel Michael Flinging the Rebel Grand Prince Pavel Petrovich in his Stud Nativity In the Dining Room Portrait of the Artist-s Son,Paul canvas engel oil Landscape with Rainbow Realistic Purple Rose Dancer with Bouquet William Douglas Hamilton, 12th Duke of H Fields of Bluebonnets The Springtime, The Haymaking The Annunciation Melancholia -19- Westminster Madonna and Child with Angles and Saints Storm clouds COLLANTES, Francisco Campo di Rialto -21-
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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