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Still-life with a Basket of Fruit w r The Pilgrims Meet the Pope -detail- kk Wichita Girl Reading a Letter at an Open Window Chalk Cliffs on Rugen -09- Morrisonbluff Portrait of Vicomtesse Louise-Albertine Autumn at Versailles Hendrick Martensz Sorgh La Berceuse -nn04- Susana van Collen,Wife of Jean Pellicorn Louis XIV s Portrait of a man trimming his quill -33 MANDER, Karel van Redan The Tub Nicolas de Largilliere Bacchanal before a Statue of Pan zg beneath impressionism surface Still-life with Peaches ag Mapleton Cantoria gfh Saint George in the Forest ggg Saint Cecilia Dedham from near Gun Hill,Langham Madonna of the Rose Garden or Madonna an Indianheights Moses trampling on Pharaob-s crown San Francisco Last Judgement Realistic Pink Rose Two Dancers in Blue La cathedrale de Sens -11- Self Portrait Allegory of winter Christ teaching in the Synagogue at Naza abc.com the view Mother and Child The Vision of St Ezechiel dsf iconology ideology image text
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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