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russian impressionism The Piazzetta, Looking toward the Clock The Adoration of the Magi_3 Afternoon in Naples Boone dollar jb stretcher Idyll Edouard Manet Olympia -04- View from a Window in the Marienstrasse Study of Hands bryan wall Philips Koninck -or de Koninck-, Dutch p Craig The Discovery of the Wood of the True Cr Tarancon Lovis Corinth The People of Myra Welcoming St. Nichola Bogdancic distant mirror Chicken Vendors f Queen Victoria at the Tomb of Napoleon - Queen Maria Theresia ag Portrait of a Young Man fdgdf modern oil painting Marry DeNeale Morgan Promenade Late Afternoon Indianrocksbeach A Young Man Is Greeted by the Liberal Ar Portraits d-Ernest Hoschede et de sa fil The Birth of Venus -08- Roman Carnival Death of the Virgin James Stuart Duke of Lennox and Richmond Molena St George and the Dragon -detail- sdgf Varaklani Head of a Stag Vilani Les Derniers moments d-une epouse cherie
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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