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Cover Painting for The Country Gentleman oil painting gallery Rio de Janeiro Bay Renoir-s House at Essoyes Interior of a Peasant House nsg abstract art more more terrifying this w Evening Breeze -06- Meridian The Tempest Sierramadre mediterranean Folsom Henri Matisse Prints Les Grands Boulevards Middlesbrough Antwerp van goyen looking our for a subj Jerry Barrett The Mystic Marriage of st Catherine of S Alturas The Garden Door Rest on the Fight ingo Egypt Apple Tree I -20- Seated Nude -detail- Zulaykha attempts to seduce joseph in he Rene-Hilaire De Gas The Fitting LOTTO, Lorenzo Still Life -nn03- Dickens-s Dream Haleyville Chenega Ardentown The Entrance of a Belvedere -nn04- Darien Libertyville Predella- Deposition wrf Santi Di Tito St Domitilla with Sts Nereus and Achille framed western art Conversion of Saint Paul
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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