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ANGUISSOLA Sofonisba Battle of San Romano San Giorgio Maggiore at Dusk fujian The Gatekeeper denies entrance by one un Wickenburg The Grief of the Pasha Madonna and Child or Madonna of the Rose Portrait du bouffon Juan Calabazas -Cala Eastman Johnson The Lamentation of Christ A Thicket of Deer at the Stream of Plais Pallas and the Centaur The Last Supper naqtr The Foundling Restored to its Mother Jane Avril Dancing -06- Still life of a lemon,hazelnuts and a cr wood bed frame Redan Punishent of the Rebels -36- Blue Nude-Souvenir of Biskra- -35- Jean Cocteau Sidney Starr Madonna with Child and an Angel The Woman of Arles-Madame Ginoux- Self Portrait set Marie de Medicis,Queen of France Thwe Judgement of Paris Illustration for And Angels Came The Nativity COYPEL, Noel Nicolas Portrait of Madeleine Ingres,nee Chapell Bayminette View of Deventer Seen from the North-Wes Edith Schiele,Seated -12- Ary Scheffer The Dinner Horn -44- Sleeping Girl dh Tuscumbia St Francis and Scenes from his Life
Henri Matisse Prints:
French Fauvist Painter and Sculptor, 1869-1954 Henri Matisse (31 December 1869 ?C 3 November 1954) was a French artist, known for his use of colour and his fluid, brilliant and original draughtsmanship. As a draughtsman, printmaker, and sculptor, but principally as a painter, Matisse is one of the best-known artists of the 20th century. Although he was initially labeled as a Fauve (wild beast), by the 1920s, he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Around 1904 he met Pablo Picasso, who was 12 years younger than him. The two became life-long friends as well as rivals and are often compared; one key difference between them is that Matisse drew and painted from nature, while Picasso was much more inclined to work from imagination. The subjects painted most frequently by both artists were women and still lifes, with Matisse more likely to place his figures in fully realized interiors. Matisse and Picasso were first brought together at the Paris salon of Gertrude Stein and her companion Alice B. Toklas. During the first decade of the 20th century, Americans in Paris Gertrude Stein, her brothers Leo Stein, Michael Stein and Michael's wife Sarah were important collectors and supporters of Matisse's paintings. In addition Gertrude Stein's two American friends from Baltimore Clarabel and Etta Cone became major patrons of Matisse and Picasso, collecting hundreds of their paintings. The Cone collection is now exhibited in the Baltimore Museum of Art. His friends organized and financed the Acad??mie Matisse in Paris, a private and non-commercial school in which Matisse instructed young artists. It operated from 1911 until 1917. Hans Purrmann and Sarah Stein were amongst several of his most loyal students.








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