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Le Pont japonais et L-Etang des Nympheas The Mystical Boat The Annunciation The Young Ladies of the Village Woman with a Pearl Necklace The Return of the Prodigal Son - mk08- Mount Ktaadn Arrival of a Dutch Three-master at Schlo Hartberg The Quarry The Death of Dido Indersdorf aa Self-Portrait,Aged Thirty Meat-s Not Meat Til It s in the Pan Lakelucerne Stuffed Kalong -nn04- Bathsheba Bathing Augsburg Girl offering oysters Grayling The Bayberry Bush Girl in White in the Woods -nn04- Vadse Somerset Portrait de Mario beyonce knowles photo Venus a son miroir -df02- Peasants Smoking and Drinking -08- London- Westminster Abbey, with a Proces Regentesses of the Old Men-s Almshouse - Gustave Caillebotte JORDAENS, Jacob Childs Frick at age four -30- United States Holocaust Memorial Museum Sipkovica Henry Arthur Payne Hat Kasilof Vulcan Suuprises Venus and Mars Royall Brewster Smith
le dimanche:
was a Spanish surrealist painter. Born in San Cristebal de La Laguna on the island of Tenerife, Domenguez spent his youth with his grandmother in Tacoronte and devoted himself to painting at a young age after suffering a serious illness which affected his growth and caused a progressive deformation of his facial bone frame and limbs. He went to Paris at 21 where he first worked for his father in the central market of Les Halles, and spent his nights drinking in cabarets. He then frequented some art schools, and visited galleries and museums. Domenguez was rapidly attracted by avant-garde painters, notably Yves Tanguy and Pablo Picasso, whose influences were visible in his first works. At 25 he painted a self-portrait full of premonition as he showed himself with a deformed hand and with the veins of his arm cut. He chose to kill himself 27 years later by cutting his veins. In 1933 Domenguez met Andre Breton, a theoretician of Surrealism, and Paul Éluard, known as the poet of this movement, and took part a year later in the Surrealist exhibition held in Copenhagen and those of London and Tenerife in 1936. He took up the Russian-invented technique of decalcomania in 1936, using gouache spread thinly on a sheet of paper or other surface (glass has been used), which is then pressed onto another surface such as a canvas.








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