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Portrait of Jan Six Ukraine Sanclemente The Waterseller -df01- James Seymour art fine lamp Chicago World-s Fair yahoo photo image The Sermon on the mount Joseph being Sold to Potiphar Peasants Lifting Potatoes -nn04- Chenega The Hermitage Garden Girl Sewing Sunflowers MIJN, George van der Banquet Still-Life with a Mouse fdg Herdsmen with Cows dfg The Port of Camaret Beggar Boy -08- Houses of Parliament,Fog Effect Pendentives depicting Saint Thomas,Saint St John the Evangelist Andes of Ecuador Linton Cypressgardens William A Breakspeare The Goethe Monument -45- The street of Italy Rebecca at the well sad icon A Blonde Woman effigy gm Winslow St.Francis Mourned by St.Clare King and hermit La Danseuse au Bouquet Portrait of Charles FitzGerald The Port of Le Havre-Dock of La Barre- The Penance of St.Jerome
Edward Wadsworth:
British 1889-1949 Edward Wadsworth Gallery 1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.








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