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Maella, Mariano Salvador The Virgin and Child Surrounded by Eight Musee du Louvre Diana Iowa-s Product Matherville a frame home Madame Bonnat The Four Evangelists fg Louis-Francois Robin picture Pendentives depicting Saint Thomas,Saint The Mystic Marriage of St.Catherine Crossing the Styx Kelloselka A Breezy Day,Howth King and hermit Auburn Still Life wtih Three Books -nn04- Jyvaskyla Portrait of a Girl Profile Portrait of a Young Woman Madonna and Child du7 Portrait of Father Jean-Charles della Fa Bathsheba at Her Bath Hinesville Baby Reaching for an Apple Woman before a Mirror -10- The Embarkation for Cythera -05- Westcovina Jupiter Mrseilles Sylvanshores Landscape by Moonlight -43- Lamentation over the Dead CHrist Jan Vermeer Merry Party in a Tavern fdg The Valley of Lauterbrunnen and the Stau fire rated wood door and frame Bowder Ston
kees van dongen:
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.








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