|
The Chaise Matoch,Run on Newmarket Heath Portrait of a Lady Clayton Lady at the Fireplace -20- Bathers at La Grenouillere Self-Portrait with a Beret Recreation by our Gallery Elizabeth Armstrong Details of Primavera-Spring modern The Comet of 1858,as Seen from the Heigh Luca Giordano Trials of Moses Sun River War Party The Beggar Known as the Club-foot -05- A Musical Evening Girl Blowing Soap Bubbles Ullswater -47- Field with Two Rabbits -nn04- Ayrum Madonna Enthroned between St. John and S View of Lake George from Long Island Dream of Solomon dh Consulting the Oracle Dish of Peaches Saint Etienne Jacob Pietersz Olycan Badger The Healed Knight and his Son at the Mon Ringgold Consolation A Portrait of Catherine II Details of St.Simon the apostle Cairo Portrait of a Boy Still life of carnations,tulips,roses an La Gioconda -The Mona Lisa- nude oil painting The Celebration of the Relics of St Step MORONI, Giovanni Battista |
|
Ignacio Zuloaga y Zabaleta:
July 26, 1870 - October 31, 1945
Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..
|
