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Madame Thurneysen and her Daughter Leda1 Port Scene with the Villa Medici dfg Le Moulin de la Galette -nn04- Heavenly Love and Earthly Love gg art impressionism making modernity paint A Woman Bathing -33- Erfurt Bathers with Red Cow Cooperlanding The Lagoon Looking toward Murano from th Bonjour Monsieur Courbet Gardengrove Madonna of the Rose Garden or Madonna an antique Rose Caryatid with Blue Border -39- Boulter-s Lock-Sunday Afternoon Tucson Museum of Art Portrait of Emilie Seriziat and Her Son Bla III Founding the Cistercian Monaster Last Supper Bowder Stone, Borrowdale The Recovery of Bahia in 1625 sg animal services July Sunset Martyrdom of the Pilgrims and the Funera Portrait of Paul Gauguin Recreation by our Gallery Avalanche in the Grisons -10- John linnell Marie de Mdicis, Queen of France Diego in My Thoughts The Virgin of Chancellor Rolin -05- Emma Zorn in the Paris Studio art fantasy sexy art css design fine matter that transcen A winter-s day on the swan Read-headed Youth Holding a Drawing Nativity Mrs Arthur Kenworthy
Ignacio Zuloaga:
Spanish Painter, 1870-1945 was a Spanish Basque painter, born in Eibar, in the Basque country, near the monastery of Loyola. He was the son of metalworker and damascener Placido Zuloaga and grandson of the organizer and director of the royal armoury in Madrid. In his youth, he drew and worked in his father's workshop. He was educated by the Jesuits in France. His father wanted him to be an architect, and with this objective in mind, he was sent to Rome, where he immediately followed the strong impulse that led him to painting. After only six months' work he completed his first picture, which was exhibited at the Paris Salon of 1890. Continuing his studies in Paris, where he lived for five years, he was strongly influenced by Paul Gauguin and Henri de Toulouse-Lautrec. Only upon returning to his native land did he find his true style, which is based on the national Spanish tradition embodied in the work of Diego Velazquez, Francisco de Zurbaran, El Greco, and Francisco Goya. Bleeding Christ; or Blood Christ (El cristo de la Sangre) (1911)His own country was slow in acknowledging the young artist whose strong, decorative and rugged style stood in opposition to the styles of well-known modern Spanish artists such as Fortuny, Madrazo,








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