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Iroquoispoint The Raising of the Cross Self-Portrait qw5u The Two Friends The shaking Poplar Altarpiece of the Baptist fgf Ramon Casas Murano, Andrea da BLOEMAERT, Abraham Dam Square, Amsterdam Fairy Dance in the Alder Grove At the Seaside Interior fsx scenery The Dream Carmichael Return from Fishing Towing the Bark Virgin and Child dfg Port Notre-Dame Elegance Moonlit Night with Boats on the Baltic S Birlad Portrait of a gentleman,three-quarter le Hide and Seek Fortitude and Temperance with Six Antiqu A Breezy Day,Howth The Maiden and the Unicorn The wine Crock Waterfall near Ambleside The Holy Family,with SS.Ildefonsus and j Noonday Rest Villin Player at the Window -35- The Rest on the Flight to Egypt Wyanet The Woodcutter-s Daughter Young Girl with a Shuttlecock St. Michael -Panel of the Polytych of Ce Landscape with Peasants Resting gggf The Hanged Man-s House
Ignacio Zuloaga:
Spanish Painter, 1870-1945 was a Spanish Basque painter, born in Eibar, in the Basque country, near the monastery of Loyola. He was the son of metalworker and damascener Placido Zuloaga and grandson of the organizer and director of the royal armoury in Madrid. In his youth, he drew and worked in his father's workshop. He was educated by the Jesuits in France. His father wanted him to be an architect, and with this objective in mind, he was sent to Rome, where he immediately followed the strong impulse that led him to painting. After only six months' work he completed his first picture, which was exhibited at the Paris Salon of 1890. Continuing his studies in Paris, where he lived for five years, he was strongly influenced by Paul Gauguin and Henri de Toulouse-Lautrec. Only upon returning to his native land did he find his true style, which is based on the national Spanish tradition embodied in the work of Diego Velazquez, Francisco de Zurbaran, El Greco, and Francisco Goya. Bleeding Christ; or Blood Christ (El cristo de la Sangre) (1911)His own country was slow in acknowledging the young artist whose strong, decorative and rugged style stood in opposition to the styles of well-known modern Spanish artists such as Fortuny, Madrazo,








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