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Capriccio, The Horses of San Marco in th The Pool of Bethesda Briceni Portrait of a Woman kki The Conversion of St Paul Diana and Calisto dfhg Woman with Book -04- Fauvism Henry Wallis Moon-light landscape -43- Louis XIV and Moliere Landscape with Peasants Joaquin Sorolla Paolo di Dono called Uccello Bacchus -05- The Print Collectiors -nn03- The Grape Harvest in Burgundy Absinthe Portrait of Maria Louisa de Tassis The Vision of St Jerome Little Lord Fauntleroy The Moneychanger and His Wife An Alchemist Lusavan Portrait of a Gentleman Piazza San Marco with the Basilica fg Arrival of the English Ambassadors -deta The Bridge of Maincy near Melun Admiral Alexander Hood Cypresses and Two Women -nn04- Recalling the Past -46- Ambrogio Lorenzetti wood frame construction The Cliff Le Petit Ailly,Varengeville St George and the Dragon Madonna and Child mmmnh The Artist, Emile Bernard Hypoluxo Seated Actress with Mirror Nicolas-rene jollain
Hilma af Klint:
1862 - 1944,was a Swedish artist and mystic whose paintings were amongst the first abstract art. She belonged to a group called 'The Five' and the paintings or diagrams were a visual representation of complex philosophical ideas. The fourth child of Captain Victor af Klint, a Swedish naval commander, and Mathilda af Klint (n??e Sonntag), Hilma af Klint spent summers with her family at their farm Hammora on the island of Adelsö in Lake Mälaren. In these idylic surroundings Hilma came into contact with nature at an early stage in her life and this deep association with natural forms was to be an inspiration in her work. From her father she adopted an interest in mathematics. In 1880 her younger sister Hermina died and it was at this time that the spiritual dimension of her life began to develop. She showed an early ability in visual art and after the family had moved to Stockholm she studied at the Academy of Fine Arts for five years during which time she learned portraiture and landscape painting . Here she met Anna Cassel, the first of the four women with whom she later worked in 'The Five' (de fem), a group of artists who shared her ideas. Her more conventional painting became the source of her financial income while the 'life's work' remained a quite separate practice.








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