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coyote stretcher Eventide stretched vagina Marquesa de Pontejos Paul Serusier Madonna and Child with Angels and the Sa George IV when Prince of Wales -25- Details of Totenfeier fur die Hl.Fina Pozega Le jour des morts -26- creature from krab krusty Brittany Boats The Massacre of the Innocents -25- Portrait of Amelia van Buren San Giovenale Triptych White Realistic Rose Woman in a Garden-Lise Trehot-Woman with The Colossus. Altarpiece of the Holy Family dsf The Piano Lesson Recreation by our Gallery Birth of Venus The Blinding of Samson Summer,n.d. GOYEN, Jan van Feast Day at the Hospice Trivulzio in Mi Wapella Officer of the Imperial Guard The Descent from the Cross -33- The Countess Tessin plastic arts Sandiego The Rest on the Flight into Egypt image resize At the Academic Dacha -nn02- States of Mind I-Those Who Stay -19- Madame Recamier Christ with the Woman Taken in Adultery Sigismund Christian Hubert Large Bright Shop Window
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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