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Death of Picador shadow box frame Oak Trees near Apremont Self Portrait 555 Bath master of St-Germain-des-Pres Simeon Solomon Orrville Main Altar -detail- sg The Ages of Life-Youth -13- Marriage of St Catherine Officers and Sergeants of the St Hadrian New Market Square in Dresden from the Jd Portrait of a Musician dey The Basin of San Marco on Ascension Day Details of Martyrdom of St.Matthew Kobenhavn Paternal Advice Persac Marie Adrien The Fifer Marseille GREBBER, Pieter de Sanford Robinson Gifford Claude Monet Working on his Boat in Arge The Buffoon Don Cristobal de Castaneda y art impressionism in modern movement pos Cupid and psyche -02- Sir Galahad at the Ruined Chapel -28- Le Charmeur de serpents -32- Woman Crocheting Coming from Evening Church Venice-Campo San Vital and Santa Maria d Honolulu Interior with a Girl at the Clavier dissertation abstract international VOUET, Simon Adoration of the Lamb -detail- Facob blessing the Sons of Foseph -33- Stmichael View of Verona and the River Adige from
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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