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A Beach with Shipping Offshore Las Meninas.Ausschnitt-Kopf der Infantin flower oil on canvas copy Oil sketch for the Turkish Bath -04- St. Francis in Ecstasy f Venus and Cupid dsf Portrait of William Croes The Fortune Teller -05- Female Nude Serrai Frederick Mackenzie Joachim Ulrich Giese Alfred Inciting the Saxons to Encounter Cherries and Peaches Portrait of Laurent-Denis Sennegon Aeneas and Achates on the Libyan Coast d Caracalla -23- A River Valley with a Group of Houses ar Harghita Saint geminianus exorcising devils from Isaac Cruikshank Iliamna The Nativity with Saints Francis and Law James Ensor stretched on your grave Fatmah the Mulatto Woman -35- Mlle Ferrand Meditating on Newton f The pond at Ennery Florida Bigpine After the Bath Brighton Nykebing Ullswater from Gowbarrow Park Walter Faw Westbadensprings Federation Of Bosnia and Herzegovina The Mystic Marriage of St.Catherine we are Farm Garden with Sunflowers -20-
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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