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Old Soldier Dressed Monkey Renoir-s Painting, -- Mon Moosepass Pastoral Landscape -17- Islandia Apostle Paul Preaching on the Ruins af St.Michael 02 Slupsk Dolo on the Brenta df The Prophetess Hannab -33- Old Church at Ranchos, New Mexico Pleasanthill Turgutlu Venetie Two female nude in the jungle The Light of the World Peasants Carousing in a Tavern -08- L ESTIN, Jacques de The Isenheimer Altarpiece Landscape with a Castle and Town in the New Zealand wood picture Seward Lincolnwood Adoration of the Christ Child King Charles II of Spain John Rogers Herbert cock stretched pussy Harstad Ruins of the Castle at Rosemont Fortification Porte de Vanves Big Fishes Eat Little Fishes g creature siouxsie Talladegasprings Haleyville Angels Ministering to Christ in the Wild Louisa Anne Meredith Norcross effigy definition The Battle of Britian, August to October
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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