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Philip II kj Northeaster -44- Giovanna Garzoni The Artist-s Studio on the Rue de la Con Old Rabbi -detail- dh The Nightmare -22- border landscape View of the Basilica della Salute -detai Madonna and Child jkj Venus - Mars Woman of Cairo at her Door Arab The Large Bathers The Turtle Pound Warmsprings Woodland Still Life with Eggs Two Women Dancing at the Moulin Rouge -0 The Abduction of Rebecca Vase of Flowers Madame de Gortzikoff Deer in the Forest i -34- The Aldermen of the City of Paris The Marriage Feast at Cana St.Bartholomew Denmark MENGS, Anton Raphael Still Life with Asparagus -nn02- china scenery Road to the The Spaniards,Hampstead 2-9- Madonna and Child Enthroned with Sts Fra Assumption of the Virgin Portrait of Max jacob -39- Albertinelli, Mariotto Antonio Pollaiolo The Spring landscape gabrielle mirror roth Details of The Raft of the Medusa Arlingtonheights United States Holocaust Memorial Museum
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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