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Hugh Ramsay The Embarkation of Henry VIII at Dover - Baldwin William Henry Margetson Lamentation over the Dead Christ l-Assassinat de Marat Madonna of Humility with Angels and Dono draw life still The Merry Drinker The Lunch -05- Lamentation over the Dead Christ fdg Still life-Bottle,Lemons and Oranges -nn Wagoner DUPUYS, Pierre Two Frigates -17- Virgin Mary War-Cavalcade of Discord- Women at a Window -nn02- Marriage of The Virgin Girl in a Blue Dress wer Detail from The Procession of the Magi Orchard in Blossom -nn04- The Young Mother Susanna Bathing Hereford HERRERA, Francisco de, the Elder t moulding The Spain Gril Vila Real Young Woman PowderingHerself The Wolf Hunt Booneville oil canvas Louisa Anne Meredith art game stretched wide open pussy Tenakeesprings image processing Oaklandpark Elkgrove
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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