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Wrightsville Lady with Her Maidservant Holding a Lett Canoes Dejeuner sur I-herbe -09- Notre-Dame Seen from Port Henri-IV animal planet.com Englewood Penitent St Jerome Doncaster Ships in Peril f Oakwood Chloris Pieter Claesz Moulin Huet Bay, Guernsey Agcabadi Portrait of Francesco Maria della Rovere Cloud Study impressionism Trio Fleuri -nn02- Poplar Trees Fish Still Life St.Francis Mourned by St.Clare The Empress-s Ordeal by Fire in front of The Banks of the Oise House and Farm at jas de Bouffan Nancy Fay van gogh art print Madonna with the Blue Diadem American Eclipse The Devil-s Bridge in the Canton of Uri Paul Alexandre -38- Cardinal Leopolado de-Medici Winterville Algerian Landscape-Wild Woman Ravine View on the Croydon Canal previous to th Naukatibay art done free productivity stress things Simivalley Temptation on the Mount Lot and his daughters
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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