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Composition Rocky Landscape The Israelites Leaving Egypt Elijah and khizr as mirror images,near t A Dutch Yacht and Many Small Vessels at science project abstract Goulding The Graham Children River Scene with Fishermen Still-life fhfg Poznan Portrait of Madame Castaing The Study of Nude Deerpark Willowoak Sebastian Boaz Interior of a Kitchen -05- Portrait of a Man zg Lafayette Mary Visits Elizabeth Silkeborg A Scene from the Beggar-s Opera g The Poetry of Moonlight Girl Reading a Letter at an Open Window The Galleria Farnese cvdf Buffalogrove The Expulsion of Hagar Vrsac The Institution of the Eucharist -detail Bensenville Christ-s Entrane into Jerusalem A Family Group in a Landscape The Nativity 11 Hampton art noise The Cleptomaniac -09- Worthington The Martyrdom of St Matthew -detail- f scene from Last of the Mohicans -nn03-
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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