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Baigneuse se Coiffant Remington Orchard in Blossom,Bordered by Cypresses Auberry moulding profile Berry Lakewood The Ave Maria-Interior of a Convent at A Valdosta bathroom mirror wall Recreation by our Gallery Jan Spanjaert The Maiden and the Unicorn -08- Redfield Pallas and the Centaur f The Marauders dsfh Self Portrait ryfgg queen bed frame stretcher toe Self-Portrait with Bonito Young Girl Seated unknown creature Theodore Caruelle D Aligny The Fish Market,Hastings -47- Children Carving May Flutes Vilar Formoso Aleknagik The Canada Southern Railway at Niagara Barnaba Da Modena Terre Haute The Bean Feast An Unknow Man Mother and Child jjjj The Adoration of the Shepherds_a Twilight with Haystacks A Paris Nocturne Recreation by our Gallery 01 Simultaneous Counter Composition Harmony in Green and Rose Ward in the Hospital in Arles -nn04-
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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